The presentation discusses research which investigates how dance teaching practice and pedagogy can be adapted to stimulate creative, imaginative and sensitive movement skills in students studying performing arts, by adopting a more democratic approach. The research has two objectives. Firstly, to establish a mode of interaction which is modeled on the democratically oriented process in Jo Butterworth’s didactic – democratic spectrum (2004, 55), between the teacher and students. Secondly, to develop a pedagogy which can be used in practical research on existing somatic practices, establishing a more democratically orientated process to develop movement skills, whilst encouraging students to become independent and engaged learners
Preparation to teach creative movement to various populations. Emphasis on physical exploration of d...
This article examines methods of improving the dance technique class by applying principles from the...
Often in teaching dance, methods of teaching and learning are silently embedded into dance classroom...
Engaging today’s youth in civil discussions of contentious issues remains both a crucial element in ...
This is a case study conducted at East Clark Elementary School. East Clark is located in the inner c...
This movement project investigates principles of modern dance technique and pedagogical practices wh...
Standardised curricula and the movement away from practical, hands-on learning has permeated Austral...
This diary-based Thesis describes pedagogical approaches to movement training addressed to actors an...
My research is an investigation of how I created a learning space that resulted in beginner performe...
The goal of my research was not only to teach students proper ballet technique, but to also refine m...
In recent years, from a concept of creativity identified as a mental construct we have moved on to a...
In Australia, Dance education in primary schools has long been relegated to the edges of schooling, ...
Gardner (1983, 1993) has long argued that education privileges certain intelligences, primarily the ...
Schools are institutions responsible for teaching children new skills and knowledge, the ability to ...
This paper will examine the authoritarian pedagogical practices found in educational settings, more ...
Preparation to teach creative movement to various populations. Emphasis on physical exploration of d...
This article examines methods of improving the dance technique class by applying principles from the...
Often in teaching dance, methods of teaching and learning are silently embedded into dance classroom...
Engaging today’s youth in civil discussions of contentious issues remains both a crucial element in ...
This is a case study conducted at East Clark Elementary School. East Clark is located in the inner c...
This movement project investigates principles of modern dance technique and pedagogical practices wh...
Standardised curricula and the movement away from practical, hands-on learning has permeated Austral...
This diary-based Thesis describes pedagogical approaches to movement training addressed to actors an...
My research is an investigation of how I created a learning space that resulted in beginner performe...
The goal of my research was not only to teach students proper ballet technique, but to also refine m...
In recent years, from a concept of creativity identified as a mental construct we have moved on to a...
In Australia, Dance education in primary schools has long been relegated to the edges of schooling, ...
Gardner (1983, 1993) has long argued that education privileges certain intelligences, primarily the ...
Schools are institutions responsible for teaching children new skills and knowledge, the ability to ...
This paper will examine the authoritarian pedagogical practices found in educational settings, more ...
Preparation to teach creative movement to various populations. Emphasis on physical exploration of d...
This article examines methods of improving the dance technique class by applying principles from the...
Often in teaching dance, methods of teaching and learning are silently embedded into dance classroom...