While extensive provincial performance by Elizabethan professional companies is now widely acknowledged, little has been done to investigate their plays in the context of the venues they once visited. Unlike the lost London theatres, these venues survive throughout the country and offer us a chance to reintroduce performance into an original space. This article argues that performance was constrained both by the material conditions in which it was situated and by the local social and political contexts of that material space. Therefore, by studying both the spaces and places that informed and framed them, we can achieve a greater understanding of both text and performance. This article therefore considers performances of scenes from The Tro...