This paper, based on my PhD empirical study, suggests that qualitative investigations, seen as reflective practices, have much in common with – and probably much to learn from – jazz improvisational practices. The complex processes of hermeneutic understanding include laying bare the researcher’s pre-understanding as well as, in the interpretation of statements, the dynamics between their holistic coherence and the agent’s intentions. Through interview excerpts, the important phenomenon of breaks in the conversational flow is shown to have great signficance to qualitative inquiry as a reflective practice, pointing to improvisational practices as relevant providers of solutions to the problematic dynamics of understanding, pre-understanding,...
Improvisation is often regarded as a central, constitutive, and even defining element of jazz, and a...
This paper investigates the relationship between error and choice in jazz improvisation. In the firs...
To anyone who has ever attended a concert of live improvised music, I would ask: “Wasn’t there somet...
In this presentation I will focus on lessons from the arts to qualitative inquiry, especially, what ...
This chapter focuses on lessons from the arts to qualitative research, especially, what reflection o...
This exegesis examines influences, processes and idiosyncrasies in musical improvisation in a jazz c...
<a>Abstract</a> <p>This exegesis examines influences, processes and idiosyncrasies in musical impro...
How is the jazz language inventive in spite of the objective limits that delineate and govern it? Th...
Improvisation is a phenomenon that is deeply embedded in the day-to-day lives of teachers and studen...
Notions of subjectivity and individuality pervade the discourse around jazz and non-idiomatic improv...
Thought processes of seven artist-level jazz musicians, each of whom recorded an improvised solo, we...
In seeking to further exploration on the relationship between jazz improvisation and creativity, thi...
This thesis explores empathic interaction in three contrasting improvised jazz case studies in which...
International audienceWe collected musicians’ discourse about their practices of joint improvisation...
This PhD research explores ways of adapting to the reportedly common creative, financial, and psycho...
Improvisation is often regarded as a central, constitutive, and even defining element of jazz, and a...
This paper investigates the relationship between error and choice in jazz improvisation. In the firs...
To anyone who has ever attended a concert of live improvised music, I would ask: “Wasn’t there somet...
In this presentation I will focus on lessons from the arts to qualitative inquiry, especially, what ...
This chapter focuses on lessons from the arts to qualitative research, especially, what reflection o...
This exegesis examines influences, processes and idiosyncrasies in musical improvisation in a jazz c...
<a>Abstract</a> <p>This exegesis examines influences, processes and idiosyncrasies in musical impro...
How is the jazz language inventive in spite of the objective limits that delineate and govern it? Th...
Improvisation is a phenomenon that is deeply embedded in the day-to-day lives of teachers and studen...
Notions of subjectivity and individuality pervade the discourse around jazz and non-idiomatic improv...
Thought processes of seven artist-level jazz musicians, each of whom recorded an improvised solo, we...
In seeking to further exploration on the relationship between jazz improvisation and creativity, thi...
This thesis explores empathic interaction in three contrasting improvised jazz case studies in which...
International audienceWe collected musicians’ discourse about their practices of joint improvisation...
This PhD research explores ways of adapting to the reportedly common creative, financial, and psycho...
Improvisation is often regarded as a central, constitutive, and even defining element of jazz, and a...
This paper investigates the relationship between error and choice in jazz improvisation. In the firs...
To anyone who has ever attended a concert of live improvised music, I would ask: “Wasn’t there somet...