Color affects us both consciously and subconsciously, and can create actions and reactions: biological (colorful males to attract females in the animal world), psychological (the use of warm colors or cool colors to effect a specific mood), symbolic (specific colors for weddings and mourning), religious (blue, saffron), emotional (expressionism in art), social (pink and blue infant clothing) or purely esthetic. By ‘color’ is meant three elements: hue, value and saturation. The aim of this continuing study is to investigate whether color in antiquity, specifically the Aegean Late Bronze Age, was chosen for any purpose, and if so, whether we can say anything about the choice of color as message bearing. Chamber Tombs I:1, 2, 5, 6 and 7 from L...
The studies presented in this paper attempt to expand current knowledge about color and how it may a...
Reconstructions of ancient polychromy on statuary are often the result of meticulous scientific rese...
Bronze is an alloy of copper and tin, with lead also added. Hellenistic and Roman bronze objects hav...
One aspect of tombs and burials in the BA Aegean in general that has not received much notice is tha...
A study of the use of color - hue, value and intensity - in grave goods from LBA Asine, Greek mainla...
Description:Colour shapes our world in profound, if sometimes subtle, ways. It helps us to classify,...
Over the last few centuries, modern perceptions of colour in antiquity have undergone extensive chan...
The aesthetics of early Christian and Byzantine art offer an area of insight into attitudes both to ...
The blue color on the Ottoman ceramic artifacts can be studied from the perspectives of different sc...
This thesis is an attempt to understand how Romans of the early empire categorised, organised and ap...
Bright colours and pure whites were appreciated in the ancient world, appearing in texts and artefa...
ABSTRACT. The authors present an exploration of why prehistoric persons were so interested in highly...
Throughout history colour has been used to be or to create a symbol in order to gain a collective un...
The cultural use of pigments in human societies is associated with ritual activities and the creatio...
AbstractThe Embodiment of Color in Ancient Mediterranean ArtbyJennifer Margaret Simmons StagerDoctor...
The studies presented in this paper attempt to expand current knowledge about color and how it may a...
Reconstructions of ancient polychromy on statuary are often the result of meticulous scientific rese...
Bronze is an alloy of copper and tin, with lead also added. Hellenistic and Roman bronze objects hav...
One aspect of tombs and burials in the BA Aegean in general that has not received much notice is tha...
A study of the use of color - hue, value and intensity - in grave goods from LBA Asine, Greek mainla...
Description:Colour shapes our world in profound, if sometimes subtle, ways. It helps us to classify,...
Over the last few centuries, modern perceptions of colour in antiquity have undergone extensive chan...
The aesthetics of early Christian and Byzantine art offer an area of insight into attitudes both to ...
The blue color on the Ottoman ceramic artifacts can be studied from the perspectives of different sc...
This thesis is an attempt to understand how Romans of the early empire categorised, organised and ap...
Bright colours and pure whites were appreciated in the ancient world, appearing in texts and artefa...
ABSTRACT. The authors present an exploration of why prehistoric persons were so interested in highly...
Throughout history colour has been used to be or to create a symbol in order to gain a collective un...
The cultural use of pigments in human societies is associated with ritual activities and the creatio...
AbstractThe Embodiment of Color in Ancient Mediterranean ArtbyJennifer Margaret Simmons StagerDoctor...
The studies presented in this paper attempt to expand current knowledge about color and how it may a...
Reconstructions of ancient polychromy on statuary are often the result of meticulous scientific rese...
Bronze is an alloy of copper and tin, with lead also added. Hellenistic and Roman bronze objects hav...