Add to ORKGA discussion on the intermedial aspects of Swedish experimental film. The films of Claes Söderquist (b. 1937) are used as an argument for an intermedial historiography
A study of Swedish post-war amateur and experimental film culture, and especially the gradual divide...
An overview of the work of Swedish filmmaker Carl Slättne (b. 1937) who has been an important part o...
Gösta Hellström was a prolific film critic who introduced new film movements into Sweden during the ...
Introduction to the films of Swedish artist and filmmaker Claes Söderquist (b. 1937
The chapter presents the history of Swedish experimental film, and discusses aesthetics as well as i...
An important feature in the Swedish avant-garde film culture of the 40s and 50s is the creation of a...
The thesis examines ’intermediality’ in Svenska Bios (Swedish Biograph) first fiction films. Värmlän...
This dissertation presents a number of previously-forgotten practices and ‘expected opportunities’ w...
In Sweden during the 1940s and 50s, many artistically ambitious filmmakers, like Arne Sucksdorff, Gö...
Abstract in Undetermined In this anthology, twenty-three scholars from seven academic disciplines an...
The Independent Film Group – an experimental film co-op in 1950s Stockholm - is presented, as well a...
In Sweden there has been a surge of interest in the films classified as pilsnerfilms, i.e. comical f...
The chapter is a discussion of the limitations and possibilities of digital film archives with refer...
The three silent films Gustaf III och Bellman (1908), En afton hos Gustaf III på Stockholms slottand...
The aim of this master’s thesis is to investigate the discursive networks and production contexts of...
A study of Swedish post-war amateur and experimental film culture, and especially the gradual divide...
An overview of the work of Swedish filmmaker Carl Slättne (b. 1937) who has been an important part o...
Gösta Hellström was a prolific film critic who introduced new film movements into Sweden during the ...
Introduction to the films of Swedish artist and filmmaker Claes Söderquist (b. 1937
The chapter presents the history of Swedish experimental film, and discusses aesthetics as well as i...
An important feature in the Swedish avant-garde film culture of the 40s and 50s is the creation of a...
The thesis examines ’intermediality’ in Svenska Bios (Swedish Biograph) first fiction films. Värmlän...
This dissertation presents a number of previously-forgotten practices and ‘expected opportunities’ w...
In Sweden during the 1940s and 50s, many artistically ambitious filmmakers, like Arne Sucksdorff, Gö...
Abstract in Undetermined In this anthology, twenty-three scholars from seven academic disciplines an...
The Independent Film Group – an experimental film co-op in 1950s Stockholm - is presented, as well a...
In Sweden there has been a surge of interest in the films classified as pilsnerfilms, i.e. comical f...
The chapter is a discussion of the limitations and possibilities of digital film archives with refer...
The three silent films Gustaf III och Bellman (1908), En afton hos Gustaf III på Stockholms slottand...
The aim of this master’s thesis is to investigate the discursive networks and production contexts of...
A study of Swedish post-war amateur and experimental film culture, and especially the gradual divide...
An overview of the work of Swedish filmmaker Carl Slättne (b. 1937) who has been an important part o...
Gösta Hellström was a prolific film critic who introduced new film movements into Sweden during the ...