Item does not contain fulltextIndividuals with more musical training repeatedly demonstrate enhanced auditory perception abilities. The current study examined how these enhanced auditory skills interact with attention to affective audio-visual stimuli. A total of 16 participants with more than 5 years of musical training (musician group) and 16 participants with less than 2 years of musical training (non-musician group) took part in a version of the audio-visual emotional Stroop test, using happy, neutral, and sad emotions. Participants were presented with congruent and incongruent combinations of face and voice stimuli while judging the emotion of either the face or the voice. As predicted, musicians were less susceptible to interference f...
Research has suggested that intensive musical training may result in transfer effects from musical t...
We investigated whether formally trained musicians have differential emotional responses to music th...
In the present study we applied a paradigm often used in face–voice affect perception to solo music ...
Individuals with more musical training repeatedly demonstrate enhanced auditory perception abilities...
Individuals with more musical training repeatedly demonstrate enhanced auditory perception abilities...
Emotion in the psycholinguistic field has been investigated across many others, such as neurolingui...
Recent research on the crossmodal integration of visual and auditory perception suggests that evalua...
Language and music are closely related in our minds. Does musical expertise enhance the recognition ...
Research showing that emotions can be recognized in point-light displays of human dyadic interaction...
Music training has been linked to facilitated processing of emotional sounds. However, most studies ...
Music performances often consist of both auditory and visual information, yet the role of the visual...
International audienceIn adult normal-hearing musicians, perception of music, vocal emotion, and spe...
Long-term music training has been shown to affect different cognitive and perceptual abilities. Howe...
BACKGROUND: The ability to separate two interleaved melodies is an important factor in music appreci...
We know little about the mechanics behind emotions perceived in music because of the subjective nat...
Research has suggested that intensive musical training may result in transfer effects from musical t...
We investigated whether formally trained musicians have differential emotional responses to music th...
In the present study we applied a paradigm often used in face–voice affect perception to solo music ...
Individuals with more musical training repeatedly demonstrate enhanced auditory perception abilities...
Individuals with more musical training repeatedly demonstrate enhanced auditory perception abilities...
Emotion in the psycholinguistic field has been investigated across many others, such as neurolingui...
Recent research on the crossmodal integration of visual and auditory perception suggests that evalua...
Language and music are closely related in our minds. Does musical expertise enhance the recognition ...
Research showing that emotions can be recognized in point-light displays of human dyadic interaction...
Music training has been linked to facilitated processing of emotional sounds. However, most studies ...
Music performances often consist of both auditory and visual information, yet the role of the visual...
International audienceIn adult normal-hearing musicians, perception of music, vocal emotion, and spe...
Long-term music training has been shown to affect different cognitive and perceptual abilities. Howe...
BACKGROUND: The ability to separate two interleaved melodies is an important factor in music appreci...
We know little about the mechanics behind emotions perceived in music because of the subjective nat...
Research has suggested that intensive musical training may result in transfer effects from musical t...
We investigated whether formally trained musicians have differential emotional responses to music th...
In the present study we applied a paradigm often used in face–voice affect perception to solo music ...