The art and architecture of Romanesque churches provided for fascinating manifestations of «crusade ideology» in the Iberian Peninsula during the twelfth and thirteenth centuries. Scenes of combat, imitations of the Holy Sepulcher, and grand eschatological visions of Christian triumph all appeared in church décor. This phenomenon is beautifully exhibited in two churches in the city of Toledo, in which the victory of Las Navas de Tolosa (1212) is celebrated with vivid apocalyptic imagery and inscriptions. However, the same churches incorporate Islamic artistic styles as well, indicating the complexity of holy war in the cultural world of medieval Spain
The record of Las Navas de Tolosa offers two competing narratives: one papal and the other monarchic...
In contemporary Western societies, who are going through a neo-romantic stage, the Crusades have le...
This chapter studies the transformation of the image of Our Lady del Sagrario into the contact relic...
This study examines the phenomenon of crusading in the Iberian Peninsula through the lens of the bat...
The Crusades campaigns were known as The Franks wars, which began in the late eleventh century to t...
The victory of Las Navas de Tolosa was of profound significance to Pope Innocent III. It came afte...
El presente artículo estudia la relación entre el Islam y la Cristiandad en la España medieval en el...
The church of the Santo Sepulcro in Torres del Río in the region of Navarra in northern Spain was co...
As a prominent world power through much of western history, Spain was a fundamental player in creati...
The architectural heritage of Medieval Spain, specifically around the period of Islamic rule known a...
Early medieval Iberia was characterized by a strong Roman cultural inheritance maintained by the Vis...
El propósito de este trabajo consiste en ofrecer una síntesis en torno al valor de las imágenes como...
Santa María de Uncastillo (1135–55), built during a crucial period of repopulation following the Chr...
At the height of the Reconquista c. 1340 CE, Christian King Alfonso XI of Castile-León constructed a...
The tympanum above the south door of the Basilica de San Isidoro is a fascinating piece of Reconques...
The record of Las Navas de Tolosa offers two competing narratives: one papal and the other monarchic...
In contemporary Western societies, who are going through a neo-romantic stage, the Crusades have le...
This chapter studies the transformation of the image of Our Lady del Sagrario into the contact relic...
This study examines the phenomenon of crusading in the Iberian Peninsula through the lens of the bat...
The Crusades campaigns were known as The Franks wars, which began in the late eleventh century to t...
The victory of Las Navas de Tolosa was of profound significance to Pope Innocent III. It came afte...
El presente artículo estudia la relación entre el Islam y la Cristiandad en la España medieval en el...
The church of the Santo Sepulcro in Torres del Río in the region of Navarra in northern Spain was co...
As a prominent world power through much of western history, Spain was a fundamental player in creati...
The architectural heritage of Medieval Spain, specifically around the period of Islamic rule known a...
Early medieval Iberia was characterized by a strong Roman cultural inheritance maintained by the Vis...
El propósito de este trabajo consiste en ofrecer una síntesis en torno al valor de las imágenes como...
Santa María de Uncastillo (1135–55), built during a crucial period of repopulation following the Chr...
At the height of the Reconquista c. 1340 CE, Christian King Alfonso XI of Castile-León constructed a...
The tympanum above the south door of the Basilica de San Isidoro is a fascinating piece of Reconques...
The record of Las Navas de Tolosa offers two competing narratives: one papal and the other monarchic...
In contemporary Western societies, who are going through a neo-romantic stage, the Crusades have le...
This chapter studies the transformation of the image of Our Lady del Sagrario into the contact relic...