The paper discusses a group of monumental crucifixes from the 13th-century East Adriatic and Italy, pained or executed in low relief, that display a verse inscriptions on the transverse limb of the cross. The main scope of the paper is to examine the provenance of the text inscribed in order to yield clearer insight into their function, use and original location in the church interiors. The paper specifically aims at analyzing three monumental crucifixes from the East-Adriatic city of Zadar which, although have already been the subject of a respectable number of studies, have not attracted attention as objects of devotion. My interest, therefore, is turned towards verse inscription as their distinctive feature and, as I shall argue, a key a...
Between the fourth and the seventh centuries CE, Christian patrons erected thousands of churches, ch...
Roman monumental inscriptions reveal a noteworthy development during the thirteenth century. In the ...
This research developed from an observation that the iconography of the crucifixion was being used b...
The paper discusses a group of monumental crucifixes from the 13th-century East Adriatic and Italy, ...
Against the background of a general discussion of medieval devotional practices connected to the cru...
This Dissertation focuses on the iconography of the Crucifixion in the Carolingian mural painting be...
Third crucifix from Zadar, c. 1200 In my paper I intend to reflect upon the pious response to the th...
The purpose of this study is to indicate an under-researched subject of our artistic heritage. It is...
My paper will focus on pectoral crosses which functioned as relic containers and amulets and were ch...
This paper sets out to explore the miraculous accounts concerning the Crucifixion groups in two Ragu...
Dedicatory inscriptions on Middle Byzantine reliquaries convey important information, including the ...
This article presents an investigation of a 14th-century polychrome wood crucifix from the Marttila ...
In late Byzantium, monastic katholika were painted with increasingly complex programs. The introduct...
According to the Gospel narratives, a sign of identification was posted on the cross above Christ’s ...
Between the fourth and the seventh centuries CE, Christian patrons erected thousands of churches, ch...
Between the fourth and the seventh centuries CE, Christian patrons erected thousands of churches, ch...
Roman monumental inscriptions reveal a noteworthy development during the thirteenth century. In the ...
This research developed from an observation that the iconography of the crucifixion was being used b...
The paper discusses a group of monumental crucifixes from the 13th-century East Adriatic and Italy, ...
Against the background of a general discussion of medieval devotional practices connected to the cru...
This Dissertation focuses on the iconography of the Crucifixion in the Carolingian mural painting be...
Third crucifix from Zadar, c. 1200 In my paper I intend to reflect upon the pious response to the th...
The purpose of this study is to indicate an under-researched subject of our artistic heritage. It is...
My paper will focus on pectoral crosses which functioned as relic containers and amulets and were ch...
This paper sets out to explore the miraculous accounts concerning the Crucifixion groups in two Ragu...
Dedicatory inscriptions on Middle Byzantine reliquaries convey important information, including the ...
This article presents an investigation of a 14th-century polychrome wood crucifix from the Marttila ...
In late Byzantium, monastic katholika were painted with increasingly complex programs. The introduct...
According to the Gospel narratives, a sign of identification was posted on the cross above Christ’s ...
Between the fourth and the seventh centuries CE, Christian patrons erected thousands of churches, ch...
Between the fourth and the seventh centuries CE, Christian patrons erected thousands of churches, ch...
Roman monumental inscriptions reveal a noteworthy development during the thirteenth century. In the ...
This research developed from an observation that the iconography of the crucifixion was being used b...