International audienceThis paper presents an open database of annotated film clips together with an analysis of elements of filmic style related to how the shots are composed, how the transitions are performed between shots and how the shots are sequenced to compose a film unit. The purpose is to initiate a shared repository pertaining to elements of film style which can be used by computer scientists and film analysts alike. Though both research communities rely strongly on the availability of such information to foster their findings, current databases are either limited to low-level features (such as shots lengths, color and luminance information), contain noisy data, or are not available to the communities.The data and analysis we provi...
We provide a database containing shot scale annotations (i.e., the apparent distance of the camera f...
Abstract — This paper addresses the challenge of bridging the semantic gap that exists between the s...
This paper uses two different colour versions of the early film The Life and Passion of Christ (La V...
International audienceThis paper presents an open database of annotated film clips together with an ...
This article describes a study of the affordances of a group of information systems (so-called “tool...
This article describes a study of the affordances of a group of information systems (so-called “tool...
International audienceAutomatically analysing stylistic features in movies is a challenging task, as...
International audienceA multitude of annotation tools and annotation formatsfor the analysis of audi...
The data-driven application of artificial intelligence tools in the production of motion pictures is...
This thesis presents work aimed at exploiting the grammar of film for the purpose of automated film ...
This paper presents a framework for the classification of feature films into genres, based only on c...
This paper presents a framework for the classification of feature films into genres, based only on c...
Film genres in digital video can be detected automatically. In a three-step approach we analyze firs...
International audienceThis paper introduces Film Editing Patterns (FEP), a language to formalize fil...
Film genres in digital video can be detected automatically. In a three-step approach we analyze firs...
We provide a database containing shot scale annotations (i.e., the apparent distance of the camera f...
Abstract — This paper addresses the challenge of bridging the semantic gap that exists between the s...
This paper uses two different colour versions of the early film The Life and Passion of Christ (La V...
International audienceThis paper presents an open database of annotated film clips together with an ...
This article describes a study of the affordances of a group of information systems (so-called “tool...
This article describes a study of the affordances of a group of information systems (so-called “tool...
International audienceAutomatically analysing stylistic features in movies is a challenging task, as...
International audienceA multitude of annotation tools and annotation formatsfor the analysis of audi...
The data-driven application of artificial intelligence tools in the production of motion pictures is...
This thesis presents work aimed at exploiting the grammar of film for the purpose of automated film ...
This paper presents a framework for the classification of feature films into genres, based only on c...
This paper presents a framework for the classification of feature films into genres, based only on c...
Film genres in digital video can be detected automatically. In a three-step approach we analyze firs...
International audienceThis paper introduces Film Editing Patterns (FEP), a language to formalize fil...
Film genres in digital video can be detected automatically. In a three-step approach we analyze firs...
We provide a database containing shot scale annotations (i.e., the apparent distance of the camera f...
Abstract — This paper addresses the challenge of bridging the semantic gap that exists between the s...
This paper uses two different colour versions of the early film The Life and Passion of Christ (La V...