From the earliest examples of Greek poetry, we find poets developing strategies to bolster their authority and present their narrative as superior to that of their rivals. This chapter explores how such techniques are manipulated or parodied in the poetry of Archilochus, focusing in particular on the use of gnomai, exempla, priamels, and mythologial paradigms. It argues that the self-conscious distortion of these traditional strategies is a characteristic feature of Archilochus’ style. The chapter first discusses two poems in which authoritative strategies are debunked for comic effect: frr. 25 and 122 W. The second part of the chapter uses the Telephus elegy (P. Oxy 4708) to examine how poems that are serious in tone can also manipulate th...
For over two centuries―starting with the earliest surviving iambic poet and elegist, Archilochus―ele...
This paper analyses the new Archilochus fragment (POxy. LXIX 4708), which tells the story of Telepho...
Offering a close reading on the most elaborate and paradoxical reworkings of mythical material by Ar...
This chapter uses Gramscian approaches to evaluate how early Greek poetry propagates cultural and po...
Making Mockery explores the dynamics of comic mockery and satire in Greek and Roman poetry, and argu...
In antiquity Archilochus of Paros was considered a poet rivalled only by Homer and Hesiod, yet he ha...
In this paper we analyse Oedipus’ appearance during Odysseus’ tale in book 11 of Homer’s Odyssey in ...
This thesis is a narratological study of Nonnus of Panopolis' Dionysiaca, focussing on the figure of...
In this note, I highlight a hitherto unrecognized literary resonance in the climactic final verses o...
In this paper we analyse Oedipus’ appearance during Odysseus’ tale in book 11 of Homer’s Odyssey in ...
One can read the Odyssey as the product of a poetic tradition interested in innovating the very proc...
The discovery of the new ‘Telephus Elegy’ in 2005 has transformed our knowledge of Archilochus by pr...
Polyphony in Callimachus is often a strategy of persuasion: adopting a plurality of points of view i...
The Argonautika by Orpheus , a late antique epic poem by an anonymous author, has until now received...
This paper analyses the new Archilochus fragment (POxy. LXIX 4708), which tells the story of Telepho...
For over two centuries―starting with the earliest surviving iambic poet and elegist, Archilochus―ele...
This paper analyses the new Archilochus fragment (POxy. LXIX 4708), which tells the story of Telepho...
Offering a close reading on the most elaborate and paradoxical reworkings of mythical material by Ar...
This chapter uses Gramscian approaches to evaluate how early Greek poetry propagates cultural and po...
Making Mockery explores the dynamics of comic mockery and satire in Greek and Roman poetry, and argu...
In antiquity Archilochus of Paros was considered a poet rivalled only by Homer and Hesiod, yet he ha...
In this paper we analyse Oedipus’ appearance during Odysseus’ tale in book 11 of Homer’s Odyssey in ...
This thesis is a narratological study of Nonnus of Panopolis' Dionysiaca, focussing on the figure of...
In this note, I highlight a hitherto unrecognized literary resonance in the climactic final verses o...
In this paper we analyse Oedipus’ appearance during Odysseus’ tale in book 11 of Homer’s Odyssey in ...
One can read the Odyssey as the product of a poetic tradition interested in innovating the very proc...
The discovery of the new ‘Telephus Elegy’ in 2005 has transformed our knowledge of Archilochus by pr...
Polyphony in Callimachus is often a strategy of persuasion: adopting a plurality of points of view i...
The Argonautika by Orpheus , a late antique epic poem by an anonymous author, has until now received...
This paper analyses the new Archilochus fragment (POxy. LXIX 4708), which tells the story of Telepho...
For over two centuries―starting with the earliest surviving iambic poet and elegist, Archilochus―ele...
This paper analyses the new Archilochus fragment (POxy. LXIX 4708), which tells the story of Telepho...
Offering a close reading on the most elaborate and paradoxical reworkings of mythical material by Ar...