This article discusses the growing UK trend of people working for themselves. Beginning with the example of a media representation, it explores the wider implications of a discursive drift by which discourses of entrepreneurialism and contemporary creative work converge on the new figure of the worker who leaves paid employment for the supposed satisfactions of working from home. The article argues that, in contrast to the heroic masculine figures of the entrepreneur and artist, this is a feminised low-status worker. Its celebration is part of a ‘new mystique’ resembling the ‘housewife trap’ described by Friedan (1963) half a century ago, because for increasing numbers of people, both male and female, working for yourself amounts to exclusi...
This article introduces readers to the special issue on 'the enactment of neoliberalism in the workp...
A “partial renaissance” of self-employment in labor markets of the global North has attracted policy...
The purpose of this article is to analyze the problem of non-professional creativity in contemporary...
Inequalities within the cultural and creative industries (CCI) have been insufficiently explored. In...
How do we understand the psychic life of cultural workers under neoliberalism? ‘Hope labour’ is a de...
This article adds to contemporary studies of neoliberalism by offering an empirical investigation of...
This article addresses the relationship between the British version of the reality television progra...
Recognising significant interrelations between neoliberal and postfeminist discourses, we advance un...
This article addresses the relationship between the British version of the reality television progra...
How can we understand contradictory identifications within work to which one is passionately attache...
Inequalities within the cultural and creative industries (CCI) have been insufficiently explored. In...
Social media platforms are important to self-employed cultural workers as a means of reaching market...
Contains fulltext : 183447pub.pdf (publisher's version ) (Closed access)In the con...
Inequalities within the cultural and creative industries (CCI) have been insufficiently explored. In...
Implementation of quantified self technologies in workplaces relies on the ontological premise of Ca...
This article introduces readers to the special issue on 'the enactment of neoliberalism in the workp...
A “partial renaissance” of self-employment in labor markets of the global North has attracted policy...
The purpose of this article is to analyze the problem of non-professional creativity in contemporary...
Inequalities within the cultural and creative industries (CCI) have been insufficiently explored. In...
How do we understand the psychic life of cultural workers under neoliberalism? ‘Hope labour’ is a de...
This article adds to contemporary studies of neoliberalism by offering an empirical investigation of...
This article addresses the relationship between the British version of the reality television progra...
Recognising significant interrelations between neoliberal and postfeminist discourses, we advance un...
This article addresses the relationship between the British version of the reality television progra...
How can we understand contradictory identifications within work to which one is passionately attache...
Inequalities within the cultural and creative industries (CCI) have been insufficiently explored. In...
Social media platforms are important to self-employed cultural workers as a means of reaching market...
Contains fulltext : 183447pub.pdf (publisher's version ) (Closed access)In the con...
Inequalities within the cultural and creative industries (CCI) have been insufficiently explored. In...
Implementation of quantified self technologies in workplaces relies on the ontological premise of Ca...
This article introduces readers to the special issue on 'the enactment of neoliberalism in the workp...
A “partial renaissance” of self-employment in labor markets of the global North has attracted policy...
The purpose of this article is to analyze the problem of non-professional creativity in contemporary...