Add to ORKGA study of the phenomenal growth of comemrcial fiction in English in India post-1990. The emphasis is on marking the characteristics of the industry and tracing some of the social factors that bear on this area, rather than close analysis of such commercial fiction texts. Issues covered include: the transfer of a global publishing template after 1990, the place of multinational publishing corporations in India, the global/local dimensions of using the English language in India, and the aspirations and reading habits of Indian youth
The object of this thesis is to examine the Indian novel in English within the context of the cultur...
Abstract “We become writers before we learn to write. The rest is simply learning how to put it all ...
Deposited with permission of the author. © 2012 Vasiliki SpanosThe study ‘There are many Indias: Dep...
Anglophone literary production in India has taken a definitive turn in the last decade, both in term...
This book examines five areas of English-language publications in India: Indian 'commercial fiction'...
Literary genius of Indians has been widely appreciated all over the world. The prestigious titles st...
Abstract: Due to the wide spread and vast development of communication technology recently, Indian ...
Globalisation is a continuous process of enhancing cultural conventions, trade, science, technology ...
In her article Gender Anxiety and Contemporary Indian Popular Fiction Elen Turner discusses two ex...
In the context of endless theoretical debates on the benefices and drawbacks of cultural globalisati...
The British Government established English as a language in India. As a result, English would almost...
After the publication of Salman Rushdie’s second novel Midnight’s Children (1980), there is an emerg...
This paper explores the implications of the recent appearance of some Indian vernacular pulp fiction...
In India, as in other parts of the world, readers’ exposure to the world and to world literatures la...
The ‘Novel’ as a literary phenomenon is new to India. In comparison to, Epics, lyrics, drama, short ...
The object of this thesis is to examine the Indian novel in English within the context of the cultur...
Abstract “We become writers before we learn to write. The rest is simply learning how to put it all ...
Deposited with permission of the author. © 2012 Vasiliki SpanosThe study ‘There are many Indias: Dep...
Anglophone literary production in India has taken a definitive turn in the last decade, both in term...
This book examines five areas of English-language publications in India: Indian 'commercial fiction'...
Literary genius of Indians has been widely appreciated all over the world. The prestigious titles st...
Abstract: Due to the wide spread and vast development of communication technology recently, Indian ...
Globalisation is a continuous process of enhancing cultural conventions, trade, science, technology ...
In her article Gender Anxiety and Contemporary Indian Popular Fiction Elen Turner discusses two ex...
In the context of endless theoretical debates on the benefices and drawbacks of cultural globalisati...
The British Government established English as a language in India. As a result, English would almost...
After the publication of Salman Rushdie’s second novel Midnight’s Children (1980), there is an emerg...
This paper explores the implications of the recent appearance of some Indian vernacular pulp fiction...
In India, as in other parts of the world, readers’ exposure to the world and to world literatures la...
The ‘Novel’ as a literary phenomenon is new to India. In comparison to, Epics, lyrics, drama, short ...
The object of this thesis is to examine the Indian novel in English within the context of the cultur...
Abstract “We become writers before we learn to write. The rest is simply learning how to put it all ...
Deposited with permission of the author. © 2012 Vasiliki SpanosThe study ‘There are many Indias: Dep...