Add to ORKGThis paper explores issues surrounding the status attached to alabaster as a material of sculpture, drawing on key texts, and particularly addresses the low status of English alabasters. It includes new interpretations of Margaret of Austria's foundation at Brou and the tomb of Edward II at Gloucester, and new material on alabaster in Habsburg collections and on Pugin and alabaster
Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes fr...
An article charting the morphology of Netherlandish altarpieces or fragments of altarpieces in alaba...
The parish church of Saint-Michel in Bordeaux is home to one of the largest and best preserved Engli...
The subject of this chapter is the tradition of English alabaster tombs that began during the reign ...
Cut in Alabaster is the first comprehensive study of alabaster sculpture in Western Europe during th...
The paper discusses the issue of artistic attitudes towards traditional materials in the era of cruc...
Alabaster sculptures in the form of panels for altarpieces or free standing images were one of the m...
In 1382 Cosmato Gentili, Pope Urban VI’s representative in England, got an export license for three ...
Alabaster was highly valued by the Romans, but the trade, origin, quarries and distribution of this ...
This paper will explore an unstudied fifteenth-century English alabaster altarpiece referred to as t...
This article explores documentary sources that elucidate the supply of alabaster used for sculpture ...
The text makes up the second part of the paper presented in the previous issue of ‘Quart’ quarterly....
On the early working of alabaster in England / W.H. St. John Hope -- The sculpture of alabaster tabl...
This dissertation explores how alabaster funerary sculptures and tapestries created complex and mult...
Alabaster is a rock with low hardness, high coherence, fine-crystalline development and forms an opt...
Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes fr...
An article charting the morphology of Netherlandish altarpieces or fragments of altarpieces in alaba...
The parish church of Saint-Michel in Bordeaux is home to one of the largest and best preserved Engli...
The subject of this chapter is the tradition of English alabaster tombs that began during the reign ...
Cut in Alabaster is the first comprehensive study of alabaster sculpture in Western Europe during th...
The paper discusses the issue of artistic attitudes towards traditional materials in the era of cruc...
Alabaster sculptures in the form of panels for altarpieces or free standing images were one of the m...
In 1382 Cosmato Gentili, Pope Urban VI’s representative in England, got an export license for three ...
Alabaster was highly valued by the Romans, but the trade, origin, quarries and distribution of this ...
This paper will explore an unstudied fifteenth-century English alabaster altarpiece referred to as t...
This article explores documentary sources that elucidate the supply of alabaster used for sculpture ...
The text makes up the second part of the paper presented in the previous issue of ‘Quart’ quarterly....
On the early working of alabaster in England / W.H. St. John Hope -- The sculpture of alabaster tabl...
This dissertation explores how alabaster funerary sculptures and tapestries created complex and mult...
Alabaster is a rock with low hardness, high coherence, fine-crystalline development and forms an opt...
Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes fr...
An article charting the morphology of Netherlandish altarpieces or fragments of altarpieces in alaba...
The parish church of Saint-Michel in Bordeaux is home to one of the largest and best preserved Engli...