In this post, LSE MSc Gender, Media, & Culture student Kimberly Killen explores her reaction to the film The Iron Lady. She looks at how the film portrays a woman in power and the problems that arise therein
Samantha Cross is best described as a poly-geek, soaking up as much information as possible in order...
The passionate and deceptive life stories of the protagonists in Angela Carter’s Wise Children (1990...
In this post, LSE MSc Gender, Media, and Culture student Kimberly Killen reviews the current debate ...
In this post, Kimberly Killen warns readers to be wary when reading media reports of the “Year of th...
What happens to a woman at the tipping point under oppression in a patriarchal society? How does she...
This paper explores representations of sexuality in a popular British television drama. The author a...
Laura Lazarus Frankel is a National Science Foundation Graduate Research Fellow pursuing a PhD in po...
Emily Miles is a MSc student in Gender, Development and Globalisation at the LSE. She has written on...
Lingerie plays a significant role in many of Jennifer Crusie’s romances from Sizzle,“the first book ...
This post is a follow-up to the previous post. In this continuation, Caitlin Fisher discusses the pa...
“When are you going to stop playing around painting pictures and do some real work, Joey?” asks Luke...
Are ‘homonormative’ narratives, full of labels for identities, becoming as rigid as heteronormative ...
First paragraph: Fresh from its success at Sundance, where the British filmmaker Kim Longinotto pick...
Katrin Redfern is in the Gender, Policy and Inequalities MSc program at LSE and has written on gende...
Shanthi Marie Blanchard is a MSc student at the London School of Economics and Political Science and...
Samantha Cross is best described as a poly-geek, soaking up as much information as possible in order...
The passionate and deceptive life stories of the protagonists in Angela Carter’s Wise Children (1990...
In this post, LSE MSc Gender, Media, and Culture student Kimberly Killen reviews the current debate ...
In this post, Kimberly Killen warns readers to be wary when reading media reports of the “Year of th...
What happens to a woman at the tipping point under oppression in a patriarchal society? How does she...
This paper explores representations of sexuality in a popular British television drama. The author a...
Laura Lazarus Frankel is a National Science Foundation Graduate Research Fellow pursuing a PhD in po...
Emily Miles is a MSc student in Gender, Development and Globalisation at the LSE. She has written on...
Lingerie plays a significant role in many of Jennifer Crusie’s romances from Sizzle,“the first book ...
This post is a follow-up to the previous post. In this continuation, Caitlin Fisher discusses the pa...
“When are you going to stop playing around painting pictures and do some real work, Joey?” asks Luke...
Are ‘homonormative’ narratives, full of labels for identities, becoming as rigid as heteronormative ...
First paragraph: Fresh from its success at Sundance, where the British filmmaker Kim Longinotto pick...
Katrin Redfern is in the Gender, Policy and Inequalities MSc program at LSE and has written on gende...
Shanthi Marie Blanchard is a MSc student at the London School of Economics and Political Science and...
Samantha Cross is best described as a poly-geek, soaking up as much information as possible in order...
The passionate and deceptive life stories of the protagonists in Angela Carter’s Wise Children (1990...
In this post, LSE MSc Gender, Media, and Culture student Kimberly Killen reviews the current debate ...