Add to ORKGThis is a group exhibition, curated by Danielle Arnaud and Sarah Woodfine, with an accompanying text written by Peter Suchin. A bird in the head is an exhibition which investigates dream and fantastical realms in relation to birds; it also explores the overlaps between the domestic and the wild, escape, control and containment
Intro to performance 7th International conference on Knowledge and power FREE like BIRDS (?) i...
Each of twelve birds can be cued and combined, appearing graphically and typographically, their song...
GHOST BIOLOGIES: Bad Bird #19, 120 cm x 90 cm, (framed) Photographic print on Museo Silver Rag archi...
Work in exhibition Birdbrain looks at our relationship with urban crows/corvids and seagulls and ...
Avian Aesthetics in Literature and Culture: Birds and Humans in the Popular Imagination closes the g...
"I thought I heard a bird" was curated by Raquel Ormella at Craft ACT. The works in I thought I hear...
Subject/Object is a new, biannual series of short festivals from the London Review Bookshop, loosely...
Major solo exhibition, newly commissioned by: inIVA (London); Film and Video Umbrella (London); ACE;...
Third chapter (Key) is sealed. The book contains three parts, the first containing doctored photogr...
The Art-Po project integrates literary exploration of symbolism and substance of birds. As a multime...
Koen Vanmechelen's first solo show at the Galerie Valerie Bach in Brussels, was curated by James Put...
An exhibition in which the artists Snæbjörnsdóttir/Wilson explore our complex feelings towards our ‘...
The people in my life and my surroundings have always fascinated me. My MFA exhibition “Many Feather...
GHOST BIOLOGIES: Bad Bird #14, 120 cm x 90 cm, (framed) Photographic print on Museo Silver Rag archi...
Article on Gulls, Ravens and a Vulture: The Ornithological Paintings of Jamie Wyeth, an exhibit at...
Intro to performance 7th International conference on Knowledge and power FREE like BIRDS (?) i...
Each of twelve birds can be cued and combined, appearing graphically and typographically, their song...
GHOST BIOLOGIES: Bad Bird #19, 120 cm x 90 cm, (framed) Photographic print on Museo Silver Rag archi...
Work in exhibition Birdbrain looks at our relationship with urban crows/corvids and seagulls and ...
Avian Aesthetics in Literature and Culture: Birds and Humans in the Popular Imagination closes the g...
"I thought I heard a bird" was curated by Raquel Ormella at Craft ACT. The works in I thought I hear...
Subject/Object is a new, biannual series of short festivals from the London Review Bookshop, loosely...
Major solo exhibition, newly commissioned by: inIVA (London); Film and Video Umbrella (London); ACE;...
Third chapter (Key) is sealed. The book contains three parts, the first containing doctored photogr...
The Art-Po project integrates literary exploration of symbolism and substance of birds. As a multime...
Koen Vanmechelen's first solo show at the Galerie Valerie Bach in Brussels, was curated by James Put...
An exhibition in which the artists Snæbjörnsdóttir/Wilson explore our complex feelings towards our ‘...
The people in my life and my surroundings have always fascinated me. My MFA exhibition “Many Feather...
GHOST BIOLOGIES: Bad Bird #14, 120 cm x 90 cm, (framed) Photographic print on Museo Silver Rag archi...
Article on Gulls, Ravens and a Vulture: The Ornithological Paintings of Jamie Wyeth, an exhibit at...
Intro to performance 7th International conference on Knowledge and power FREE like BIRDS (?) i...
Each of twelve birds can be cued and combined, appearing graphically and typographically, their song...
GHOST BIOLOGIES: Bad Bird #19, 120 cm x 90 cm, (framed) Photographic print on Museo Silver Rag archi...