Add to ORKGA reading of W. S. Graham's I Leave This At Your Ear, a poem particularly concerned with the pressures of close reading, or in this case, close listening
Good Morning, Colossus is a circus train wreck through the freight cars of my mind. It represents my...
The two senses of seeing and hearing have a special place in human life and, from purely physical pl...
LISTENING Listening to silence on its other side hearing the grass grow the beat of a bird\u27s hear...
This paper probes the public dimensions of the work of the twentieth-century Scottish poet W. S. Gra...
Provides a centenary reassessment of the Scottish poet W. S. Graham (1918-1986), increasingly recogn...
A selection of the poems of W.S. Graham, with an introduction by me, published for a general poetry ...
William Sydney Graham (1918–1986) is increasingly acknowledged as one of the most important British ...
Rupert Loydell and Dr. Kym Martindale, both poets, writers and lecturers, read from a range of poems...
My dissertation, Lyric Ear: Romantic Poetics of Listening, turns from a centuries-long critical focu...
Desmond Graham, a poet from Newcatle-upon-Tyne, has come to use short lines without punctuation, rel...
The Irish Nobel laureate Seamus Heaney (1939-2013) is arguably one of the most widely read, studied ...
In this presentation, Haigh has selected Heaney\u27s beautiful poem, to read, visualize, and apply t...
It seems to me as I read much of contemporary poetry that there is in it less and less of any appeal...
“Reading with Your Ears” is a comparative study of comprehension in reading a text versus listening ...
This article first appeared in The Poetry Review published by The Poetry Society, Autumn 2021, Volum...
Good Morning, Colossus is a circus train wreck through the freight cars of my mind. It represents my...
The two senses of seeing and hearing have a special place in human life and, from purely physical pl...
LISTENING Listening to silence on its other side hearing the grass grow the beat of a bird\u27s hear...
This paper probes the public dimensions of the work of the twentieth-century Scottish poet W. S. Gra...
Provides a centenary reassessment of the Scottish poet W. S. Graham (1918-1986), increasingly recogn...
A selection of the poems of W.S. Graham, with an introduction by me, published for a general poetry ...
William Sydney Graham (1918–1986) is increasingly acknowledged as one of the most important British ...
Rupert Loydell and Dr. Kym Martindale, both poets, writers and lecturers, read from a range of poems...
My dissertation, Lyric Ear: Romantic Poetics of Listening, turns from a centuries-long critical focu...
Desmond Graham, a poet from Newcatle-upon-Tyne, has come to use short lines without punctuation, rel...
The Irish Nobel laureate Seamus Heaney (1939-2013) is arguably one of the most widely read, studied ...
In this presentation, Haigh has selected Heaney\u27s beautiful poem, to read, visualize, and apply t...
It seems to me as I read much of contemporary poetry that there is in it less and less of any appeal...
“Reading with Your Ears” is a comparative study of comprehension in reading a text versus listening ...
This article first appeared in The Poetry Review published by The Poetry Society, Autumn 2021, Volum...
Good Morning, Colossus is a circus train wreck through the freight cars of my mind. It represents my...
The two senses of seeing and hearing have a special place in human life and, from purely physical pl...
LISTENING Listening to silence on its other side hearing the grass grow the beat of a bird\u27s hear...