Add to ORKGA guest-edited section of the journal "Early Theatre" (vol.11, issue 2, 2008, 141-240), introduced by the guest editor: M A Katritzky, "The commedia dell'arte: new perspectives and new documents"; Maria Ines Aliverti, "An icon for a new woman: a previously unidentified portrait of Isabella Andreini by Paolo Veronese"; Rosalind Kerr, "The Italian actress and the foundations of early modern European theatre: performing female sexual identities on the commedia dell'arte stage"; Erith Jaffe-Berg, "New perspectives on language, oral transmission, and multilingualism in commedia dell'arte"; Stefano Mengarelli, "The commedia all'improvviso pictures in the Corsini manuscript: a new reading"; Robert Henke, "Back to the future: a review of comparativ...
This special issue gathers some of the papers presented on occasion of the international conference ...
This essay reviews seven recent volumes on the commedia dell'arte: Christopher B. Balme, Pierma...
Current playwriting is performed with awareness that its product, the text, will be performed on sta...
Introduction to "Issues in Review: New developments in commedia research", 141-240, guest editor M A...
The launch of a new journal on the commedia dell’arte, the first exclusively dedicated to this subje...
The launch of a new journal on the commedia dell’arte, the first exclusively dedicated to this subje...
A guest-edited issue of the journal "Theatre Research International" (vol.23, issue 2, Summer 1998)....
Future work on the comparative question of Shakespeare’s relationship to the commedia dell’arte must...
This article introduces my ongoing research into the emergence of the professional actress on the co...
The two-volume anonymous manuscript Raccolta di Scenari Più scelti D’istrioni in Rome’s Biblioteca C...
Introduces a guest-edited issue of "Theatre research international" publishing selected papers from ...
Future work on the comparative question of Shakespeare’s relationship to the commedia dell’arte must...
This article introduces my ongoing research into the emergence of the professional actress on the co...
Italian comedians attracted audiences to performances at every level, from the magnificent Italian, ...
This essay situates the Issues in Review section as a whole in relation to the growing field of repe...
This special issue gathers some of the papers presented on occasion of the international conference ...
This essay reviews seven recent volumes on the commedia dell'arte: Christopher B. Balme, Pierma...
Current playwriting is performed with awareness that its product, the text, will be performed on sta...
Introduction to "Issues in Review: New developments in commedia research", 141-240, guest editor M A...
The launch of a new journal on the commedia dell’arte, the first exclusively dedicated to this subje...
The launch of a new journal on the commedia dell’arte, the first exclusively dedicated to this subje...
A guest-edited issue of the journal "Theatre Research International" (vol.23, issue 2, Summer 1998)....
Future work on the comparative question of Shakespeare’s relationship to the commedia dell’arte must...
This article introduces my ongoing research into the emergence of the professional actress on the co...
The two-volume anonymous manuscript Raccolta di Scenari Più scelti D’istrioni in Rome’s Biblioteca C...
Introduces a guest-edited issue of "Theatre research international" publishing selected papers from ...
Future work on the comparative question of Shakespeare’s relationship to the commedia dell’arte must...
This article introduces my ongoing research into the emergence of the professional actress on the co...
Italian comedians attracted audiences to performances at every level, from the magnificent Italian, ...
This essay situates the Issues in Review section as a whole in relation to the growing field of repe...
This special issue gathers some of the papers presented on occasion of the international conference ...
This essay reviews seven recent volumes on the commedia dell'arte: Christopher B. Balme, Pierma...
Current playwriting is performed with awareness that its product, the text, will be performed on sta...