A chapter which explores the role of ruins within contemporary socety and the reception associated with them. In particular, it highlights the important ways in which social time is configured around the recovery of ruins from the past, focusing on the event-like character of time as Kairos that ruins evoke and the ways in which this intersects with our chronological sense of time. The chapter goes on to explore the implications for museums and the presentation of heritage
We can see ruins as objects that have a foot in three different times: the past, the present, and th...
Màster universitari en Estudis Avançats en Arquitectura - Contemporary ProjectThroughout history, th...
The ruin allows for a visualization of different forms of mourning: we mourn loss, death, decay and ...
This is the final version of the article. Available from Taylor & Francis via the DOI in this record...
What explains the global proliferation of interest in ruins? Can ruins be understood beyond their co...
In the first decade of the 21st century, the trend of architecturally iconic museums as a way for ci...
What explains the global proliferation of interest in ruins? Can ruins be understood beyond their co...
What explains the global proliferation of interest in ruins? Can ruins be understood beyond their co...
Thesis (Master's)--University of Washington, 2017-03As one of the oldest European cities, Berlin has...
We can see ruins as objects that have a foot in three different times: the past, the present, and th...
We can see ruins as objects that have a foot in three different times: the past, the present, and th...
© 2014 Darren WardleThis practice‐led research investigates philosophical and aesthetic ideas surrou...
PERFORMANCE RESEARCH VOLUME 20 ISSUE 3 On Ruins and Ruination Issue editors: Carl Lavery and Richa...
We can see ruins as objects that have a foot in three different times: the past, the present, and th...
We can see ruins as objects that have a foot in three different times: the past, the present, and th...
We can see ruins as objects that have a foot in three different times: the past, the present, and th...
Màster universitari en Estudis Avançats en Arquitectura - Contemporary ProjectThroughout history, th...
The ruin allows for a visualization of different forms of mourning: we mourn loss, death, decay and ...
This is the final version of the article. Available from Taylor & Francis via the DOI in this record...
What explains the global proliferation of interest in ruins? Can ruins be understood beyond their co...
In the first decade of the 21st century, the trend of architecturally iconic museums as a way for ci...
What explains the global proliferation of interest in ruins? Can ruins be understood beyond their co...
What explains the global proliferation of interest in ruins? Can ruins be understood beyond their co...
Thesis (Master's)--University of Washington, 2017-03As one of the oldest European cities, Berlin has...
We can see ruins as objects that have a foot in three different times: the past, the present, and th...
We can see ruins as objects that have a foot in three different times: the past, the present, and th...
© 2014 Darren WardleThis practice‐led research investigates philosophical and aesthetic ideas surrou...
PERFORMANCE RESEARCH VOLUME 20 ISSUE 3 On Ruins and Ruination Issue editors: Carl Lavery and Richa...
We can see ruins as objects that have a foot in three different times: the past, the present, and th...
We can see ruins as objects that have a foot in three different times: the past, the present, and th...
We can see ruins as objects that have a foot in three different times: the past, the present, and th...
Màster universitari en Estudis Avançats en Arquitectura - Contemporary ProjectThroughout history, th...
The ruin allows for a visualization of different forms of mourning: we mourn loss, death, decay and ...