Add to ORKGCatalogue accompanying the exhibition of Encounters in the Archive, and displaying the participants work, produced by Book Works, London, to be exhibited at the V&A over a period of six months. Freely available on line on the project website: http://www.encountersinthearchive.com/wp-content/uploads/2012/03/Re-Encounters.pd
“Affect and Sensation” brings together cyanotypes and text from the practice-based project “The Afte...
Alison Moloney's own practice often involves commissioning new objects, rather than working with exi...
The text analyses the creative expression of London’s couturiers; the industry and their client base...
Encounters in the Archive, devised and produced by Donatella Barbieri, and shot and edited digitally...
This paper discusses and reflects upon aspects of the practice-based research project led by the aut...
The exhibition 'Malign Muses: When Fashion Turns Back' was commissioned by ModeMuseum, Antwerp, a mu...
The teaching team on the Costume with Textiles BA at the University if Huddersfield proposes a 20 mi...
This volume explores the fascinating territory of the way in which the spectacle has been deployed i...
The Re-Fashioned exhibition presented work by four artists that connect through the use of garments ...
You Say You Want a Revolution?: Records and Rebels 1966-1970, the exhibition showing at London’s Vic...
Abigail Hammond's costume design was exhibited in the Society of British Theatre Designers quadrenni...
This article results from a public Q&A at the Victoria & Albert Museum, London exploring expert pers...
The inventory that comprises the body of this chapter records an incomplete register of fashion exhi...
Artists in the Archive explores the agency and materiality of the archival document through a stunni...
The exhibition format, as both space and medium, has developed as a site for pragmatic, interdiscipl...
“Affect and Sensation” brings together cyanotypes and text from the practice-based project “The Afte...
Alison Moloney's own practice often involves commissioning new objects, rather than working with exi...
The text analyses the creative expression of London’s couturiers; the industry and their client base...
Encounters in the Archive, devised and produced by Donatella Barbieri, and shot and edited digitally...
This paper discusses and reflects upon aspects of the practice-based research project led by the aut...
The exhibition 'Malign Muses: When Fashion Turns Back' was commissioned by ModeMuseum, Antwerp, a mu...
The teaching team on the Costume with Textiles BA at the University if Huddersfield proposes a 20 mi...
This volume explores the fascinating territory of the way in which the spectacle has been deployed i...
The Re-Fashioned exhibition presented work by four artists that connect through the use of garments ...
You Say You Want a Revolution?: Records and Rebels 1966-1970, the exhibition showing at London’s Vic...
Abigail Hammond's costume design was exhibited in the Society of British Theatre Designers quadrenni...
This article results from a public Q&A at the Victoria & Albert Museum, London exploring expert pers...
The inventory that comprises the body of this chapter records an incomplete register of fashion exhi...
Artists in the Archive explores the agency and materiality of the archival document through a stunni...
The exhibition format, as both space and medium, has developed as a site for pragmatic, interdiscipl...
“Affect and Sensation” brings together cyanotypes and text from the practice-based project “The Afte...
Alison Moloney's own practice often involves commissioning new objects, rather than working with exi...
The text analyses the creative expression of London’s couturiers; the industry and their client base...