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9/11Military conflict
Like many violent events, 9/11 and its photographic representation seem to have prompted contradictory impulses: to look and to look away. This talk considers framing narratives put forward in the aftermath (largely via photography), which have rationalized the attacks according to a redemptive religious interpretation, while at the same time betraying a darker counter-narrative that can best be understood by means of the Freudian uncanny
Book synopsis: The essays collected here reflect upon various aspects of the roles and functions of ...
Eluding the spectacle of violence. Representing the 9/11 events. How can we represent the 9/11 terro...
Artículo presentado en el simposium: "Representing the War on Terror: post 9/11 television drama and...
This article begins by questioning the ubiquity of the use of the word ‘trauma’ in reference to the ...
The attack on the World Trade Center was said to have been “the day that changed the world.” With te...
9/11′s spectacular visual impact often gives rise to the belief that we have all ‘seen’ the terroris...
It is all but impossible to think of September 11th 2001 and not, at the same time, recall an image....
This essay examines three graphic narratives – Spiegelman’s In the Shadow of No Towers, Rehr’s Tribe...
Everyone agrees that the terror attack on the World Trade Center (WTC) on 11 September 2001 was a me...
An event such as the attack on Manhattan on September 11th 2001 is socially, culturally and politica...
This presentation draws on Jennifer’s book ‘Photography and September 11th: Spectacle, Memory, Traum...
Since the bombing of the twin towers, ‘Islam’ as a cultural narrative has entered a new temporal pha...
This, in some senses, is a departure from my other writings, though retains a concerns with the rhet...
An event such as the attack on Manhattan on September 11th 2001 is socially, culturally and politica...
Fromme M, Kirchhof C, Wait AR. Re-Membering the Terrorist Spectacle: Medial Discourses, the Shaping ...
Book synopsis: The essays collected here reflect upon various aspects of the roles and functions of ...
Eluding the spectacle of violence. Representing the 9/11 events. How can we represent the 9/11 terro...
Artículo presentado en el simposium: "Representing the War on Terror: post 9/11 television drama and...
This article begins by questioning the ubiquity of the use of the word ‘trauma’ in reference to the ...
The attack on the World Trade Center was said to have been “the day that changed the world.” With te...
9/11′s spectacular visual impact often gives rise to the belief that we have all ‘seen’ the terroris...
It is all but impossible to think of September 11th 2001 and not, at the same time, recall an image....
This essay examines three graphic narratives – Spiegelman’s In the Shadow of No Towers, Rehr’s Tribe...
Everyone agrees that the terror attack on the World Trade Center (WTC) on 11 September 2001 was a me...
An event such as the attack on Manhattan on September 11th 2001 is socially, culturally and politica...
This presentation draws on Jennifer’s book ‘Photography and September 11th: Spectacle, Memory, Traum...
Since the bombing of the twin towers, ‘Islam’ as a cultural narrative has entered a new temporal pha...
This, in some senses, is a departure from my other writings, though retains a concerns with the rhet...
An event such as the attack on Manhattan on September 11th 2001 is socially, culturally and politica...
Fromme M, Kirchhof C, Wait AR. Re-Membering the Terrorist Spectacle: Medial Discourses, the Shaping ...
Book synopsis: The essays collected here reflect upon various aspects of the roles and functions of ...
Eluding the spectacle of violence. Representing the 9/11 events. How can we represent the 9/11 terro...
Artículo presentado en el simposium: "Representing the War on Terror: post 9/11 television drama and...
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