My paper will explore the home video market for documentaries in the UK, drawing on my experience as both a filmmaker and a distributor. My first feature documentary RFK Must Die (2007)grew out of a short film for BBC Newsnight and was released on DVD by distributors in the UK, US and Australia in 2008. Learning from this experience, I set up my own distribution label E2 Films to release my second feature Children of the Revolution (2011). When this film was released in Japan last summer, I did a press tour in Tokyo for the Japanese distributor. How do you distribute a documentary in the UK? Who are the gatekeepers, how do you gain visibility and how does the DVD supply chain work? My paper will provide a general overview of setting...
In 1984, a disparate group of horror films imported from the USA and Europe were banned in the Unite...
Documentary film is over 100 years old and includes subgenres such as ethnography, historical film, ...
This book will demonstrate, in contrast to statistics showing declines in the consumption of physica...
The last fifteen years have seen the relentless rise of the feature documentary—from four titles rel...
This paper examines the experimental process for a filmmaker who takes a traditional feature-length ...
This chapter reveals the importance of the video market to processes of change and growth in the fil...
This study considers the role of dependent entrepreneurship in the specialty theatrical film distrib...
When VHS technology took off in the late 1970s/early 1980s, it triggered widespread hopes in the UK ...
By diverting attention from the video nasties, this article seeks to redress the balance, granting B...
The chapter examines the role of distributors, and the challenges they face, in enabling audiences t...
There are two things that most people know about the ‘video nasties.’ The first is that prior to 198...
Report of a workshop which brought together nine academics and nine industry professionals from UK u...
An overlooked ancillary market where physical media distribution remains strong is the education mar...
This article compares traditional and new ways of funding documentary film in the UK and asks what c...
Documentary film is over 100 years old and includes subgenres such as ethnography, historical film, ...
In 1984, a disparate group of horror films imported from the USA and Europe were banned in the Unite...
Documentary film is over 100 years old and includes subgenres such as ethnography, historical film, ...
This book will demonstrate, in contrast to statistics showing declines in the consumption of physica...
The last fifteen years have seen the relentless rise of the feature documentary—from four titles rel...
This paper examines the experimental process for a filmmaker who takes a traditional feature-length ...
This chapter reveals the importance of the video market to processes of change and growth in the fil...
This study considers the role of dependent entrepreneurship in the specialty theatrical film distrib...
When VHS technology took off in the late 1970s/early 1980s, it triggered widespread hopes in the UK ...
By diverting attention from the video nasties, this article seeks to redress the balance, granting B...
The chapter examines the role of distributors, and the challenges they face, in enabling audiences t...
There are two things that most people know about the ‘video nasties.’ The first is that prior to 198...
Report of a workshop which brought together nine academics and nine industry professionals from UK u...
An overlooked ancillary market where physical media distribution remains strong is the education mar...
This article compares traditional and new ways of funding documentary film in the UK and asks what c...
Documentary film is over 100 years old and includes subgenres such as ethnography, historical film, ...
In 1984, a disparate group of horror films imported from the USA and Europe were banned in the Unite...
Documentary film is over 100 years old and includes subgenres such as ethnography, historical film, ...
This book will demonstrate, in contrast to statistics showing declines in the consumption of physica...