This accessible introduction to the work of one of the world's greatest comic writers tackles key questions posed by Aristophanes plays, such as staging, humour, songs, obscene language, politics and the modern translation and performance of Aristophanic comedy. The book opens up exciting and contentious areas of Aristophanic scholarship in a way that is engaging and readily comprehensible to a non-specialist audience, never losing sight of the fact that Aristophanes plays are vibrant literary texts, designed primarily to appeal to a classical Athenian audience as pieces of living drama. Key to the book's appeal is that James Robson conceives of the plays as dynamic texts, containing a treasure trove of information not only about how they m...
Adapting ancient works of art for a modern audience provides a challenge that authors often approach...
This chapter examines a peculiar modern Greek adaptation of Aristophanes’ Frogs, published anonymous...
This book traces the international performance history of Aristophanic comedy, and its implication i...
Flying to Heaven to demand an end to war, building Cloudcuckooland in the sky, descending to Hades t...
In current research, strongly marked by ‘performance studies', it is often forgotten that there are ...
The ancient dramatic texts consisted of the words spoken by the characters and nothing else. There w...
The Greek comic poet Aristophanes often comments on the value of different comic modes. When he arti...
It is no doubt true that the questions I would like to address in this chapter, which concern Aristo...
The material of this thesis is the area of personal humour roughly covered by τὸ ὸνομαστὶ κωμῳεν - t...
The plays of Aristophanes are the only examples of ancient Greek comedy that we have, but his comedi...
Comedy, which developed as a literary genre after tragedy, is a popular dramatic form in ancient Gre...
This thesis examines the form and function of insults, threats, and aggressive slapstick in the come...
The text is a kind of report of reading in comic means used in one of Aristophanes’ best comedies – ...
This chapter explores the idea of Old Comedy as popular culture, by examining (i) the size, make-up ...
The purpose of this thesis is to examine the variety, the mechanisms, and the poetological intention...
Adapting ancient works of art for a modern audience provides a challenge that authors often approach...
This chapter examines a peculiar modern Greek adaptation of Aristophanes’ Frogs, published anonymous...
This book traces the international performance history of Aristophanic comedy, and its implication i...
Flying to Heaven to demand an end to war, building Cloudcuckooland in the sky, descending to Hades t...
In current research, strongly marked by ‘performance studies', it is often forgotten that there are ...
The ancient dramatic texts consisted of the words spoken by the characters and nothing else. There w...
The Greek comic poet Aristophanes often comments on the value of different comic modes. When he arti...
It is no doubt true that the questions I would like to address in this chapter, which concern Aristo...
The material of this thesis is the area of personal humour roughly covered by τὸ ὸνομαστὶ κωμῳεν - t...
The plays of Aristophanes are the only examples of ancient Greek comedy that we have, but his comedi...
Comedy, which developed as a literary genre after tragedy, is a popular dramatic form in ancient Gre...
This thesis examines the form and function of insults, threats, and aggressive slapstick in the come...
The text is a kind of report of reading in comic means used in one of Aristophanes’ best comedies – ...
This chapter explores the idea of Old Comedy as popular culture, by examining (i) the size, make-up ...
The purpose of this thesis is to examine the variety, the mechanisms, and the poetological intention...
Adapting ancient works of art for a modern audience provides a challenge that authors often approach...
This chapter examines a peculiar modern Greek adaptation of Aristophanes’ Frogs, published anonymous...
This book traces the international performance history of Aristophanic comedy, and its implication i...