This chapter examines the work of women artists working in Paris during the period 1910-1930. It focuses on the work of several artists working on the fringes of modernist groups and whose works were widely exhibited and reviewed at the time. The author explores the critical culture through which their work was represented and some contemporary perceptions of femininity involved. She argues that a lack of historical material and limited access to relevant works by these artists has encouraged misrepresntation of the complex relationships which many women negotiated with avan-garde groups and artistic styles
In the late nineteenth century, increasing numbers of women artists began pursuing careers in the fi...
This work examines the complex relationship between gender and the work of women artists associated ...
The professionalism of women artists around the turn of the century coincided with the growing expec...
This illustrated book examines the work and artistic culture of women artists in France during the p...
Women Artists in Interwar France: Framing Femininities illuminates the importance of the Societe de...
Book synopsis: This illustrated book examines the work and artistic culture of women artists in Fran...
Starting with a critique of existing methodologies and histories of the period, this book examines t...
The authors outline a history of women in Russia in the 19th century and of women artists in the Rus...
The thesis provides a revaluation of the art of Australian women artists in the period 1900-1940. I...
Edouard Manet's paintings of working-class women reflect the dramatic social changes which occurred ...
This study seeks to understand the critical influences shaping the literary and artistic exchanges b...
A history of women painters, beginning with artist Lavinia Fontana of Bologna, through the impressio...
Modern day wall art featuring women as subjects is usually painted by male artists, although women g...
Nochlin‘s 1971 essay Why Have There Been No Great Women Artists? highlighted the barriers that women...
The aim of this paper is to explore the artistic and literary relationships between Gertrude Stein a...
In the late nineteenth century, increasing numbers of women artists began pursuing careers in the fi...
This work examines the complex relationship between gender and the work of women artists associated ...
The professionalism of women artists around the turn of the century coincided with the growing expec...
This illustrated book examines the work and artistic culture of women artists in France during the p...
Women Artists in Interwar France: Framing Femininities illuminates the importance of the Societe de...
Book synopsis: This illustrated book examines the work and artistic culture of women artists in Fran...
Starting with a critique of existing methodologies and histories of the period, this book examines t...
The authors outline a history of women in Russia in the 19th century and of women artists in the Rus...
The thesis provides a revaluation of the art of Australian women artists in the period 1900-1940. I...
Edouard Manet's paintings of working-class women reflect the dramatic social changes which occurred ...
This study seeks to understand the critical influences shaping the literary and artistic exchanges b...
A history of women painters, beginning with artist Lavinia Fontana of Bologna, through the impressio...
Modern day wall art featuring women as subjects is usually painted by male artists, although women g...
Nochlin‘s 1971 essay Why Have There Been No Great Women Artists? highlighted the barriers that women...
The aim of this paper is to explore the artistic and literary relationships between Gertrude Stein a...
In the late nineteenth century, increasing numbers of women artists began pursuing careers in the fi...
This work examines the complex relationship between gender and the work of women artists associated ...
The professionalism of women artists around the turn of the century coincided with the growing expec...