This article looks at those scenes in Old Comedy where we gain glimpses of tragic poets in the act of composition - namely, Euripides in Acharnians and Agathon in Thesmophoriazusae. With these scenes as a base, it looks at how tragic composition is represented in Old Comedy and attempts to place this in the wider context of contemporary beliefs about literary composition as a whole, discussing the extent to which Aristophanes' views were innovative or derivative. The final section considers what the foregoing discussion can teach us about Aristophanes' own compositional processes
The scholia to the tragedians inform us about the views some ancient critics held concerning the fai...
Aristophanes' tragic Homer lambic poetry and tragedy are usually thought to be the major literary s...
This article is devoted to the analysis of the early stage work of one of the first ...
Mockery of tragedy is a striking and recurrent feature of the poetry of Aristophanes. Critics have s...
Mockery of tragedy is a striking and recurrent feature of the poetry of Aristophanes. Critics have s...
It is no doubt true that the questions I would like to address in this chapter, which concern Aristo...
The aim of this article is to understand the role of Agathon's character, as part as Euripide's paro...
The aim of this article is to understand the role of Agathon's character, as part as Euripide's paro...
The scope of Aristophanes' use of tragedy remains insufficient!y explored. Most existing critical li...
Comedy, which developed as a literary genre after tragedy, is a popular dramatic form in ancient Gre...
In the initial section of the article the author justifies the view that it is bout useful and neces...
The tragical poets were used to composing both the verbal and the performing text. This article is g...
The scholia to the tragedians inform us about the views some ancient critics held concerning the fai...
The scholia to the tragedians inform us about the views some ancient critics held concerning the fai...
The scholia to the tragedians inform us about the views some ancient critics held concerning the fai...
The scholia to the tragedians inform us about the views some ancient critics held concerning the fai...
Aristophanes' tragic Homer lambic poetry and tragedy are usually thought to be the major literary s...
This article is devoted to the analysis of the early stage work of one of the first ...
Mockery of tragedy is a striking and recurrent feature of the poetry of Aristophanes. Critics have s...
Mockery of tragedy is a striking and recurrent feature of the poetry of Aristophanes. Critics have s...
It is no doubt true that the questions I would like to address in this chapter, which concern Aristo...
The aim of this article is to understand the role of Agathon's character, as part as Euripide's paro...
The aim of this article is to understand the role of Agathon's character, as part as Euripide's paro...
The scope of Aristophanes' use of tragedy remains insufficient!y explored. Most existing critical li...
Comedy, which developed as a literary genre after tragedy, is a popular dramatic form in ancient Gre...
In the initial section of the article the author justifies the view that it is bout useful and neces...
The tragical poets were used to composing both the verbal and the performing text. This article is g...
The scholia to the tragedians inform us about the views some ancient critics held concerning the fai...
The scholia to the tragedians inform us about the views some ancient critics held concerning the fai...
The scholia to the tragedians inform us about the views some ancient critics held concerning the fai...
The scholia to the tragedians inform us about the views some ancient critics held concerning the fai...
Aristophanes' tragic Homer lambic poetry and tragedy are usually thought to be the major literary s...
This article is devoted to the analysis of the early stage work of one of the first ...