Add to ORKGThroughout history and from one culture to another, the use and ownership of specific materials made into objects has indicated power, status, wealth, and gender and is the foundation of economy. Each material resonates, speaks, and holds meaning and significance. My practice - © -based research hignlights ceramic material resonance in the productionof art and craft, referring to site, history and culture
First I argue that Arcesilaus was a natural choice as scholarch. If Crates had intended to groom Soc...
On why agricultural innovation from the Global South can and should be used to adapt food production...
Runner-up for the Griswold Prize for Excellence in Undergraduate Historical ScholarshipThis distingu...
My thesis exhibition, It’s worth repeating (so I did), consists of a selection of works in audio, pr...
Heathcote Ruthven (Edinburgh University) offers an anthropological contextualisation of Icelandic pr...
E' l'Editoriale dello S. I. di Almatourism, curato dalla sottoscritta, dedicato a "Fashion between ...
This entry briefly explores the development of pastiche as an idea within post-modern cultural stud...
There are thousands of forgotten archaeological archives hidden away in repositories all over the wo...
The redheaded cockchafer ('Adoryphorus couloni') (Burmeister) (RHC) is an important pest of semi-imp...
Pauline Destrée (University College London) researches the relationships between noise and forced to...
II Workshop on Identity, Memory and Experience. Getafe (Spain), March 1-4th, 2011In Shame and Neces...
O trabalho levado a cabo na Abadia de Monserrat pelo Padre Josep Massot i Muntzner, publicando mater...
This report examines the feasibility of building orbital mirrors at Mars to increase the surface tem...
A review of Privacies: Philosophical Evaluations, edited by Beate Rössler (Stanford, California: Sta...
A meditation on owning music as intellectual property, plus a look at the growing costs associated w...
First I argue that Arcesilaus was a natural choice as scholarch. If Crates had intended to groom Soc...
On why agricultural innovation from the Global South can and should be used to adapt food production...
Runner-up for the Griswold Prize for Excellence in Undergraduate Historical ScholarshipThis distingu...
My thesis exhibition, It’s worth repeating (so I did), consists of a selection of works in audio, pr...
Heathcote Ruthven (Edinburgh University) offers an anthropological contextualisation of Icelandic pr...
E' l'Editoriale dello S. I. di Almatourism, curato dalla sottoscritta, dedicato a "Fashion between ...
This entry briefly explores the development of pastiche as an idea within post-modern cultural stud...
There are thousands of forgotten archaeological archives hidden away in repositories all over the wo...
The redheaded cockchafer ('Adoryphorus couloni') (Burmeister) (RHC) is an important pest of semi-imp...
Pauline Destrée (University College London) researches the relationships between noise and forced to...
II Workshop on Identity, Memory and Experience. Getafe (Spain), March 1-4th, 2011In Shame and Neces...
O trabalho levado a cabo na Abadia de Monserrat pelo Padre Josep Massot i Muntzner, publicando mater...
This report examines the feasibility of building orbital mirrors at Mars to increase the surface tem...
A review of Privacies: Philosophical Evaluations, edited by Beate Rössler (Stanford, California: Sta...
A meditation on owning music as intellectual property, plus a look at the growing costs associated w...
First I argue that Arcesilaus was a natural choice as scholarch. If Crates had intended to groom Soc...
On why agricultural innovation from the Global South can and should be used to adapt food production...
Runner-up for the Griswold Prize for Excellence in Undergraduate Historical ScholarshipThis distingu...