AbstractAs part of an ongoing investigation into real-world copying and drawing, I recorded the eye–hand drawing strategies of 16 subjects with drawing experiences ranging from expert to novice while they copied a line drawing of a standing nude. The experts produced accurate copies whereas all the beginners produced marked inaccuracies of overall scaling, proportion and shape. Analysis of eye and hand movements showed that the experts alone segmented the original drawing into simple line sections that were copied one at a time using a direct eye–hand strategy not requiring intermediary encoding to visual memory. The results suggest that segmentation into simple lines defines the task-specific process of accurate copying, and that this proc...
The thesis examines one important area of the skills that underlie the development of non-representa...
This paper presents a quantitative method for assessing observational drawing accuracy, as a more ob...
Abstract Accuracy in copying a figure is one of the most sensitive measures of visuo-constructional ...
As part of an ongoing investigation into real-world copying and drawing, I recorded the eye–hand dra...
AbstractAs part of an ongoing investigation into real-world copying and drawing, I recorded the eye–...
AbstractEye movements and eye–hand interactions have been recorded for 10 beginner art students copy...
Eye movements and eye-hand interactions have been recorded for 10 beginner art students copying comp...
Drawing involves frequent shifts of gaze between the original and the drawing and visual memory help...
Drawing from a still-life is a complex visuomotor task. Nevertheless, experts depict three-dimension...
According to a technique widely used in art schools, everyone can make more realistic drawings by c...
The difficulty adults find in drawing objects or scenes from real life is puzzling, assuming that th...
Previous research has suggested both links and differences between children's copying of line diagra...
Accurate drawing calls on many skills beyond simple motor coordination. A good internal representati...
Previous research has suggested both links and differences between children's copying of line diagra...
Accurate representational drawing is a complex skill which underpins performance in many branches of...
The thesis examines one important area of the skills that underlie the development of non-representa...
This paper presents a quantitative method for assessing observational drawing accuracy, as a more ob...
Abstract Accuracy in copying a figure is one of the most sensitive measures of visuo-constructional ...
As part of an ongoing investigation into real-world copying and drawing, I recorded the eye–hand dra...
AbstractAs part of an ongoing investigation into real-world copying and drawing, I recorded the eye–...
AbstractEye movements and eye–hand interactions have been recorded for 10 beginner art students copy...
Eye movements and eye-hand interactions have been recorded for 10 beginner art students copying comp...
Drawing involves frequent shifts of gaze between the original and the drawing and visual memory help...
Drawing from a still-life is a complex visuomotor task. Nevertheless, experts depict three-dimension...
According to a technique widely used in art schools, everyone can make more realistic drawings by c...
The difficulty adults find in drawing objects or scenes from real life is puzzling, assuming that th...
Previous research has suggested both links and differences between children's copying of line diagra...
Accurate drawing calls on many skills beyond simple motor coordination. A good internal representati...
Previous research has suggested both links and differences between children's copying of line diagra...
Accurate representational drawing is a complex skill which underpins performance in many branches of...
The thesis examines one important area of the skills that underlie the development of non-representa...
This paper presents a quantitative method for assessing observational drawing accuracy, as a more ob...
Abstract Accuracy in copying a figure is one of the most sensitive measures of visuo-constructional ...