This chapter presents findings from research which we conducted with participants who were current and former art college students, practitioners in different areas of creative arts and design, and therefore workers in a relatively newly named part of the economy, the ‘creative industries’. Originally identified by New Labour as a significantly successful new sector, they have subsequently received considerable attention from policy-makers and also academic commentators, in the UK and elsewhere. The list of creative industries cited by New Labour (DCMS 2001) also corresponds closely to the subject areas and activities of many art college courses, indicating how these institutions function as a vocational training ground and entry point for...
All of us in the arts have been a part of the sector debating and trying to address under representa...
This article reflects ongoing research-led teaching in the area of creative industries in higher edu...
Research shows that approximately half of creative practitioners operate as embedded creatives by se...
The promise of ‘doing what you love’ continues to attract new aspirants to creative work, yet most c...
This special issue explores the nuances of graduate creative work, the kinds of value that creative ...
A report on an interview-based research project conducted for the project 'Non-traditional participa...
About the Book\ud \ud Examining pathways from creative education to work, and preparation for these ...
Abstract Following earlier work looking at overall career difficulties and low economic rewards face...
This project reflects an ongoing research project in the area of WIL for creative arts students. In...
The promise of ‘doing what you love’ continues to attract new entrants into the sector of the cultur...
The creative industries sector is complex and competitive, characterised by non-linear career paths ...
Despite some segments of the creative industries in Australia performing better than other segments ...
Young people’s transition from education to gaining a career has long been the subject of sociologic...
This article examines the career opportunities, challenges and trajectories of creative work. As par...
Examining pathways from creative education to work, and preparation for these pathways within higher...
All of us in the arts have been a part of the sector debating and trying to address under representa...
This article reflects ongoing research-led teaching in the area of creative industries in higher edu...
Research shows that approximately half of creative practitioners operate as embedded creatives by se...
The promise of ‘doing what you love’ continues to attract new aspirants to creative work, yet most c...
This special issue explores the nuances of graduate creative work, the kinds of value that creative ...
A report on an interview-based research project conducted for the project 'Non-traditional participa...
About the Book\ud \ud Examining pathways from creative education to work, and preparation for these ...
Abstract Following earlier work looking at overall career difficulties and low economic rewards face...
This project reflects an ongoing research project in the area of WIL for creative arts students. In...
The promise of ‘doing what you love’ continues to attract new entrants into the sector of the cultur...
The creative industries sector is complex and competitive, characterised by non-linear career paths ...
Despite some segments of the creative industries in Australia performing better than other segments ...
Young people’s transition from education to gaining a career has long been the subject of sociologic...
This article examines the career opportunities, challenges and trajectories of creative work. As par...
Examining pathways from creative education to work, and preparation for these pathways within higher...
All of us in the arts have been a part of the sector debating and trying to address under representa...
This article reflects ongoing research-led teaching in the area of creative industries in higher edu...
Research shows that approximately half of creative practitioners operate as embedded creatives by se...