Add to ORKGReview of the exhibition "Something Possible Everywhere: Pier 34, NYC 1983-84" in Hyperallergi
Philip Johnson's New York State Pavilion, is one of the few remaining structures from the 1964-...
Art Review piece on Dahlov Ipcar: Seven Decades of Creativity, an exhibition that is being prese...
This exhibition was one of a series of cross-disciplinary art/science interventions at the London Sc...
In 1983, David Wojnarowicz, Mike Bidlo, and other artists started making work in Pier 34, one of the...
Something Possible Everywhere: Pier 34 NYC, 1983–84 is the first exhibition to revisit the extraordi...
'Something Possible Everywhere: Pier 34, NYC 1983-84' Exhibition at 205 Hudson Street Gallery in N...
To mark the publication of Jonathan Weinberg’s provocative new book Pier Groups, the author speaks w...
The author describes the New York City beach, as well as installations and performances held there o...
A looped digital slideshow installation of my project: "Something Possible Everywhere: Pier 34 New...
I will be presenting the contents of my senior thesis paper, The New York Sensation Show: The Specta...
Catalogue documents a series of exhibitions of site-specific works in New York City. Avgikos describ...
KW Institute for Contemporary Art is pleased to present the exhibition Photography & Film 1978–1992 ...
" EXPO CHICAGO, The International Exposition of Contemporary & Modern Art, features leading internat...
Upon entering Dock Lands, the viewer first encounters two lengths of tie-dyed hot pink and black fab...
Review of the Portland Museum of Art exhibit, Alex Katz Under the Stars, which was rented from the...
Philip Johnson's New York State Pavilion, is one of the few remaining structures from the 1964-...
Art Review piece on Dahlov Ipcar: Seven Decades of Creativity, an exhibition that is being prese...
This exhibition was one of a series of cross-disciplinary art/science interventions at the London Sc...
In 1983, David Wojnarowicz, Mike Bidlo, and other artists started making work in Pier 34, one of the...
Something Possible Everywhere: Pier 34 NYC, 1983–84 is the first exhibition to revisit the extraordi...
'Something Possible Everywhere: Pier 34, NYC 1983-84' Exhibition at 205 Hudson Street Gallery in N...
To mark the publication of Jonathan Weinberg’s provocative new book Pier Groups, the author speaks w...
The author describes the New York City beach, as well as installations and performances held there o...
A looped digital slideshow installation of my project: "Something Possible Everywhere: Pier 34 New...
I will be presenting the contents of my senior thesis paper, The New York Sensation Show: The Specta...
Catalogue documents a series of exhibitions of site-specific works in New York City. Avgikos describ...
KW Institute for Contemporary Art is pleased to present the exhibition Photography & Film 1978–1992 ...
" EXPO CHICAGO, The International Exposition of Contemporary & Modern Art, features leading internat...
Upon entering Dock Lands, the viewer first encounters two lengths of tie-dyed hot pink and black fab...
Review of the Portland Museum of Art exhibit, Alex Katz Under the Stars, which was rented from the...
Philip Johnson's New York State Pavilion, is one of the few remaining structures from the 1964-...
Art Review piece on Dahlov Ipcar: Seven Decades of Creativity, an exhibition that is being prese...
This exhibition was one of a series of cross-disciplinary art/science interventions at the London Sc...