Focusing on the work of four contemporary filmmakers—Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai Ming-liang—the authors explore how these filmmakers broke from tradition, creating a cinema that is both personal and insistent on examining Taiwan\u27s complex history. Featuring stills, anecdotes, and close readings of films, the authors consider the influence of Hong Kong and martial arts films, directors\u27 experiments with autobiography, the shifting fortunes of the Taiwanese film industry, and Taiwan cinema in the context of international cinema\u27s aesthetics and business practices
Studies of national cinemas have identified auteur directors as important elements in the building ...
Positioning Taiwan in a Global Context examines modern Taiwanese culture through the prism of global...
Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital ...
Focusing on the work of four contemporary filmmakers—Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai...
Taiwan New Cinema continued for a long period, from 1982 when did appear In Our Time, a anthology fi...
In the following paper I will seek to illustrate how four documentaries made in recent years by youn...
Hou Hsiao-hsien is arguably the most celebrated Chinese-language film director in the international ...
Kuei-fen Chiu, Ming-yeh Rawnsley, Gary Rawnsle (eds.), Taiwan Cinema, International Reception and So...
Taiwan film scholarship is a recent development. It began when the New Cinema came to fruition in th...
Although Edward Yang (1947-2007) only completed seven full-length films in his lifespan, he is regar...
Music in Edward Yang\u27s film oeuvre is characterized by a wide variety of styles. Disparity and di...
This thesis explores the relationship between Taiwan cinema and the city, tracing the transformation...
In the 1980s, a revamped film industry in Taiwan produced a number of international acclaimed films,...
International audienceMeta-cinema in its various forms - quotations, reconstruction of the making of...
This thesis explores the relationship between Taiwan cinema and the city, tracing the transformation...
Studies of national cinemas have identified auteur directors as important elements in the building ...
Positioning Taiwan in a Global Context examines modern Taiwanese culture through the prism of global...
Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital ...
Focusing on the work of four contemporary filmmakers—Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai...
Taiwan New Cinema continued for a long period, from 1982 when did appear In Our Time, a anthology fi...
In the following paper I will seek to illustrate how four documentaries made in recent years by youn...
Hou Hsiao-hsien is arguably the most celebrated Chinese-language film director in the international ...
Kuei-fen Chiu, Ming-yeh Rawnsley, Gary Rawnsle (eds.), Taiwan Cinema, International Reception and So...
Taiwan film scholarship is a recent development. It began when the New Cinema came to fruition in th...
Although Edward Yang (1947-2007) only completed seven full-length films in his lifespan, he is regar...
Music in Edward Yang\u27s film oeuvre is characterized by a wide variety of styles. Disparity and di...
This thesis explores the relationship between Taiwan cinema and the city, tracing the transformation...
In the 1980s, a revamped film industry in Taiwan produced a number of international acclaimed films,...
International audienceMeta-cinema in its various forms - quotations, reconstruction of the making of...
This thesis explores the relationship between Taiwan cinema and the city, tracing the transformation...
Studies of national cinemas have identified auteur directors as important elements in the building ...
Positioning Taiwan in a Global Context examines modern Taiwanese culture through the prism of global...
Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital ...