This experiment was conducted to investigate cross-modal interactions in the emotional experience of music listeners. Previous research showed that visual information present in a musical performance is rich in expressive content, and moderates the subjective emotional experience of a participant listening and/or observing musical stimuli [Vines, B. W., Krumhansl, C. L., Wanderley, M. M., & Levitin, D. J. (2006). Cross-modal interactions in the perception of musical performance. Cognition, 101, 80–113.]. The goal of this follow-up experiment was to replicate this cross-modal interaction by investigating the objective, physiological aspect of emotional response to music measuring electrodermal activity [...
Music has the power to elicit emotions onto its listeners, with emotional music pieces affecting the...
A core aspect of musical performance is communicating emotional and expressive intentions to the aud...
Recently, Vuoskoski, Thompson, Clarke, and Spence (2014) demonstrated that visual kinematic performa...
We investigate the dynamics of sensory integration for perceiving musical performance, a complex nat...
Cross-modal interactions in the perception of emotion in musical performance were investigated in th...
This thesis investigates cross-modal interactions in auditory and visual perception, focusing on th...
We investigate non-verbal communication through expressive body movement and musical sound, to revea...
Recent research on the crossmodal integration of visual and auditory perception suggests that evalua...
It is well established that emotional responses to stimuli presented to one perceptive modality (e.g...
Arousal and valence (pleasantness) are considered primary dimensions of emotion. However, the degree...
Apart from its natural relevance to cognition, music provides a window into the intimate relationshi...
We studied the emotional responses by musicians to familiar classical music excerpts both when the m...
This study explored whether visual (body movements) or auditory (musical material) information domin...
Interest in music and emotion has been prevalent across the ages, due to music being a universal fea...
It is now widely accepted that the perception of emotional expression in music can be vastly differe...
Music has the power to elicit emotions onto its listeners, with emotional music pieces affecting the...
A core aspect of musical performance is communicating emotional and expressive intentions to the aud...
Recently, Vuoskoski, Thompson, Clarke, and Spence (2014) demonstrated that visual kinematic performa...
We investigate the dynamics of sensory integration for perceiving musical performance, a complex nat...
Cross-modal interactions in the perception of emotion in musical performance were investigated in th...
This thesis investigates cross-modal interactions in auditory and visual perception, focusing on th...
We investigate non-verbal communication through expressive body movement and musical sound, to revea...
Recent research on the crossmodal integration of visual and auditory perception suggests that evalua...
It is well established that emotional responses to stimuli presented to one perceptive modality (e.g...
Arousal and valence (pleasantness) are considered primary dimensions of emotion. However, the degree...
Apart from its natural relevance to cognition, music provides a window into the intimate relationshi...
We studied the emotional responses by musicians to familiar classical music excerpts both when the m...
This study explored whether visual (body movements) or auditory (musical material) information domin...
Interest in music and emotion has been prevalent across the ages, due to music being a universal fea...
It is now widely accepted that the perception of emotional expression in music can be vastly differe...
Music has the power to elicit emotions onto its listeners, with emotional music pieces affecting the...
A core aspect of musical performance is communicating emotional and expressive intentions to the aud...
Recently, Vuoskoski, Thompson, Clarke, and Spence (2014) demonstrated that visual kinematic performa...