THE AUDIENCE’S VACATION FROM HISTORY

Rad donosi analizu prvoga dijela kazališne trilogije „Proces grad“ izvedbene platforme Bacači sjenki pod nazivom „Proces grad: Odmor od povijesti“ (2008.), a iz perspektive procesa recepcije. Niz postupaka, poput smještanja posjetitelja u ležajeve te značajnoga smanjivanja vidljivosti i čujnosti izvedbe, osmišljeni su s ciljem da se posjetiteljima oslabi fokus na neposredna zbivanja te da ih se možebitno uspava. Uz djelomičnu individualizaciju prezentiranoga materijala i dijeljenje suautorske odgovornosti s posjetititeljima time im se omogućuje distanciranje od informativne zasićenosti svakodnevice, revizija vlastitih vrijednosnih kriterija te fokusiranje na osobnu povijest. U postizanju toga cilja posebno je važno korištenje mehanizma sna prema kojemu se oblikuje i dramaturgija predstave.The paper analyses the first part of the theatre trilogy „Process City“ named „Process City: Vacation from History” (2008) which is devised by the performance platform Shadow Casters. The analysis is conducted from the point of view of the receptive process. The performance brings a series of procedures such as placing the visitors in beds, as well as reducing the visibility and audibility of the presented material with the aim to weaken the visitors\u27 focus or to potentially put them to sleep. The performance is partially individualised while the authorship is shared with the visitors which should help them to distance themselves from the informative density of the everyday, revise their own value criteria and focus on their personal history. In order to achieve that aim „Vacation from History“ uses the mechanism of the dream shaping also the dramaturgy of the performance in accordance with it