Movie makers have always had an eye on the Camden district\u27s large country houses, rustic farm buildings, quaint villages and picturesque countryside for film locations. From the 1920s the area has been used by a series of film makers as a setting for their movies. It coincided was an increasing interest in the area\u27s Englishness from poets, journalists and travel writers. They wrote stories of quaint English style villages with a church on the hill, charming gentry estates down hedge lined lanes, where the patriarch kept contented cows in ordered fields and virile stallions in magnificent stables. This did not go unnoticed in the film industry
The act of transporting cinema to and exhibiting films for the rural communities of the Highlands an...
The documentary Seeking Sydney, explores the work and life of Sydney Bligh. Bligh specialised in mak...
The art of the filmmaker is to create the illusion of reality within the artistic limitations of the...
A romanticised concept of pastoral life was widely established in British culture by the start of th...
This volume offers insights into how rural areas of Britain have been represented on film, from the ...
This paper reflects upon the research of an on-going project exploring the histories of location sho...
Books & the Arts piece on Small Towns, Steamy Movies, the first Camden Film Festival, with events...
One of the hidden parts of the history of Camden is the influence of modernism. Few in the community...
Films may represent a place, but be made at another. In the early years of film-making, quite elabor...
After the appearance of a portable Kodak cine camera in 1923, home moving making grew steadily in po...
The pioneering story of Australia's own Hollywood. Hollywood films and television programs are watch...
The five films made in Australia by Ealing Studios in the 1940s and 1950s have largely been analysed...
This is the final version of the article. Available from the publisher via the DOI in this record.Th...
Recent years have witnessed an explosion of interest in the 'spatialities of cinema' across the soci...
The legacy of émigrés in the British film industry, from the silent film era until after the Second ...
The act of transporting cinema to and exhibiting films for the rural communities of the Highlands an...
The documentary Seeking Sydney, explores the work and life of Sydney Bligh. Bligh specialised in mak...
The art of the filmmaker is to create the illusion of reality within the artistic limitations of the...
A romanticised concept of pastoral life was widely established in British culture by the start of th...
This volume offers insights into how rural areas of Britain have been represented on film, from the ...
This paper reflects upon the research of an on-going project exploring the histories of location sho...
Books & the Arts piece on Small Towns, Steamy Movies, the first Camden Film Festival, with events...
One of the hidden parts of the history of Camden is the influence of modernism. Few in the community...
Films may represent a place, but be made at another. In the early years of film-making, quite elabor...
After the appearance of a portable Kodak cine camera in 1923, home moving making grew steadily in po...
The pioneering story of Australia's own Hollywood. Hollywood films and television programs are watch...
The five films made in Australia by Ealing Studios in the 1940s and 1950s have largely been analysed...
This is the final version of the article. Available from the publisher via the DOI in this record.Th...
Recent years have witnessed an explosion of interest in the 'spatialities of cinema' across the soci...
The legacy of émigrés in the British film industry, from the silent film era until after the Second ...
The act of transporting cinema to and exhibiting films for the rural communities of the Highlands an...
The documentary Seeking Sydney, explores the work and life of Sydney Bligh. Bligh specialised in mak...
The art of the filmmaker is to create the illusion of reality within the artistic limitations of the...