This paper considers the place of creativity within UK Immigration Removal Centres (IRCs) as a way of developing understandings of resistance within these spaces. It draws upon empirical research undertaken within an IRC, to explore the role of improvised music-making between staff and detainees. This work arises out of a concern that framings of resistance within IRCs have been characterised by acts that intentionally challenge the particular manifestation of sovereign power within these sites, where non-citizens are incarcerated. This study interferes with the prevailing view that for an act to be considered resistance, it must be characterised by intent, and follows Foucault to argue that to resist something is to create something, as ‘i...
Scholarship on immigration detention centers as sites for musical exchange and identity formation re...
Mary Bosworth‘s research investigates immigration detentions centres in the UK. She argues that the ...
We critically reflect on insights from our experiences as female researchers on a creative writing p...
This paper will seek to discuss how participatory creative practice might facilitate acts of citizen...
This paper introduces a materialist approach to Isin’s concept of ‘acts of citizenship’ to call for ...
Many accounts of resistance within systems of migration control pivot upon a coherent migrant subjec...
Immigration Removal Centres (IRCs) are deeply contested institutions that rarely open their doors to...
This article puts forward a reimagining of the concept of community in an immigration detention cent...
In the summer of 2013, a van with the slogan reading ‘In the UK Illegally? Go home or face arrest’ w...
The Law Society has recently raised concerns about the UK’s migration system, stating that ‘failure...
While there is a burgeoning literature critically mapping the spatial logics of immigration detentio...
Britain believes itself to be an open and tolerant country to migrants and refugees both now, and in...
This article asks whether volunteering by refugees and asylum seekers holds potential to foster coll...
In an era of technologically mediated modes of border enforcement, this paper focuses upon a seeming...
This chapter is concerned with nomadic artistic practices and the transformative and creative qualit...
Scholarship on immigration detention centers as sites for musical exchange and identity formation re...
Mary Bosworth‘s research investigates immigration detentions centres in the UK. She argues that the ...
We critically reflect on insights from our experiences as female researchers on a creative writing p...
This paper will seek to discuss how participatory creative practice might facilitate acts of citizen...
This paper introduces a materialist approach to Isin’s concept of ‘acts of citizenship’ to call for ...
Many accounts of resistance within systems of migration control pivot upon a coherent migrant subjec...
Immigration Removal Centres (IRCs) are deeply contested institutions that rarely open their doors to...
This article puts forward a reimagining of the concept of community in an immigration detention cent...
In the summer of 2013, a van with the slogan reading ‘In the UK Illegally? Go home or face arrest’ w...
The Law Society has recently raised concerns about the UK’s migration system, stating that ‘failure...
While there is a burgeoning literature critically mapping the spatial logics of immigration detentio...
Britain believes itself to be an open and tolerant country to migrants and refugees both now, and in...
This article asks whether volunteering by refugees and asylum seekers holds potential to foster coll...
In an era of technologically mediated modes of border enforcement, this paper focuses upon a seeming...
This chapter is concerned with nomadic artistic practices and the transformative and creative qualit...
Scholarship on immigration detention centers as sites for musical exchange and identity formation re...
Mary Bosworth‘s research investigates immigration detentions centres in the UK. She argues that the ...
We critically reflect on insights from our experiences as female researchers on a creative writing p...