In this paper, we propose a method that can identify challenging music samples for beat tracking without ground truth. Our method, motivated by the machine learning method "selective sampling," is based on the measurement of mutual agreement between beat sequences. In calculating this mutual agreement we show the critical influence of different evaluation measures. Using our approach we demonstrate how to compile a new evaluation dataset comprised of difficult excerpts for beat tracking and examine this difficulty in the context of perceptual and musical properties. Based on tag analysis we indicate the musical properties where future advances in beat tracking research would be most profitable and where beat tracking is too difficult to be ...
A common method to create beat annotations for music recordings is to let a human annotator tap alon...
(c) 2011 IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for...
Most people follow the music to hum or follow the rhythm to tap sometimes. We may get differ-ent mea...
In this paper, we propose a method that can identify challenging music samples for beat tracking wit...
Abstract—In this paper, we propose a method that can identify challenging music samples for beat tra...
In this paper we establish a threshold for perceptually ac-ceptable beat tracking based on the mutua...
In this paper we establish a threshold for perceptually acceptable beat tracking based on the mutual...
Abstract—A new probabilistic framework for beat tracking of musical audio is presented. The method e...
The evaluation of audio beat tracking systems is normally addressed in one of two ways. One approach...
The extraction of the beat from musical audio signals represents a foundational task in the field of...
Music identification is an effective tool that enables multimedia players to extract a distinct stat...
Abstract. When a person taps a foot in time with a piece of music, they are performing beat tracking...
The goal of music information retrieval (MIR) is to develop novel strategies and techniques for orga...
The automatic analysis of musical rhythm from audio, and more specifically tempo and beat tracking, ...
Music classification is essential for faster Music record recovery. Separating the ideal arrangement...
A common method to create beat annotations for music recordings is to let a human annotator tap alon...
(c) 2011 IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for...
Most people follow the music to hum or follow the rhythm to tap sometimes. We may get differ-ent mea...
In this paper, we propose a method that can identify challenging music samples for beat tracking wit...
Abstract—In this paper, we propose a method that can identify challenging music samples for beat tra...
In this paper we establish a threshold for perceptually ac-ceptable beat tracking based on the mutua...
In this paper we establish a threshold for perceptually acceptable beat tracking based on the mutual...
Abstract—A new probabilistic framework for beat tracking of musical audio is presented. The method e...
The evaluation of audio beat tracking systems is normally addressed in one of two ways. One approach...
The extraction of the beat from musical audio signals represents a foundational task in the field of...
Music identification is an effective tool that enables multimedia players to extract a distinct stat...
Abstract. When a person taps a foot in time with a piece of music, they are performing beat tracking...
The goal of music information retrieval (MIR) is to develop novel strategies and techniques for orga...
The automatic analysis of musical rhythm from audio, and more specifically tempo and beat tracking, ...
Music classification is essential for faster Music record recovery. Separating the ideal arrangement...
A common method to create beat annotations for music recordings is to let a human annotator tap alon...
(c) 2011 IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for...
Most people follow the music to hum or follow the rhythm to tap sometimes. We may get differ-ent mea...