The purpose of this thesis was to instruct the reader how to colour grade video files in a way that would be best suitable for photographers. This thesis suggests why video content should be colour graded in order to make an impact on the viewer and stand out in a meaningful way. I go through the very basics of colour theory to help the reader better understand the emotional impact of colour when observed. Colour theory sets the base for all colour grading and correction related work. Colour grading is an important step in high end movie and television production, but also in smaller productions, such as web-intended video publishing. It can help enhance the viewers’ experience and to deliver certain moods or messages to the viewers. ...
abstract: Every color that you see in film is purposely chosen by the filmmakers. The majority of fi...
With the advent of digital technologies, gradually setting traditional media for Motion Picture and ...
This thesis is about the relationship between colour in visual storytelling and audience attention. ...
Colour grading has enabled cinematographers to more accurately convey their visions to audiences sin...
The purpose of the thesis was to examine how much it is possible to affect the mood of the video wit...
The thesis discusses the theory and practice of audiovisual coloring. The purpose of this study is t...
One of the biggest colour-related problems for cinematographers and for the whole post-production ch...
Video evolved into one of the mediums for displaying information that displays sound as well as imag...
In the diploma is presented a method for additional video corrections, captured with several recordi...
This thesis deals with principles and practices of digital colour grading of cinematic images on the...
The most important parts of color theories of the moving image are discussed in this thesis. The the...
For many decades, professional digital imaging has faced a dilemma. On one hand, imaging scientists ...
Color correction and grading are processes when fixing colors in recorded footage in Post-Production...
Color correction and grading are processes when fixing colors in recorded footage in Post-Production...
Figure 1: The leftmost input photo is altered with color styles horror, happy, David Fincher, and We...
abstract: Every color that you see in film is purposely chosen by the filmmakers. The majority of fi...
With the advent of digital technologies, gradually setting traditional media for Motion Picture and ...
This thesis is about the relationship between colour in visual storytelling and audience attention. ...
Colour grading has enabled cinematographers to more accurately convey their visions to audiences sin...
The purpose of the thesis was to examine how much it is possible to affect the mood of the video wit...
The thesis discusses the theory and practice of audiovisual coloring. The purpose of this study is t...
One of the biggest colour-related problems for cinematographers and for the whole post-production ch...
Video evolved into one of the mediums for displaying information that displays sound as well as imag...
In the diploma is presented a method for additional video corrections, captured with several recordi...
This thesis deals with principles and practices of digital colour grading of cinematic images on the...
The most important parts of color theories of the moving image are discussed in this thesis. The the...
For many decades, professional digital imaging has faced a dilemma. On one hand, imaging scientists ...
Color correction and grading are processes when fixing colors in recorded footage in Post-Production...
Color correction and grading are processes when fixing colors in recorded footage in Post-Production...
Figure 1: The leftmost input photo is altered with color styles horror, happy, David Fincher, and We...
abstract: Every color that you see in film is purposely chosen by the filmmakers. The majority of fi...
With the advent of digital technologies, gradually setting traditional media for Motion Picture and ...
This thesis is about the relationship between colour in visual storytelling and audience attention. ...