Theoretical thesis.Bibliography: pages 287-307.Part One. Contexts -- Part Two. People and relationships -- Part Three. Places and spaces -- Part Four. Performance -- Part Five. A coda and conclusions.This thesis is an ethnography of Australian country music. It explores the experiences of individuals active within Australian country music. It acknowledges that country music is a musical project, but takes as its object of study the cultural experience it offers artists, industry personnel and fans. It explores the practices of those involved with Australian country music, the everyday, on-the-ground activities associated with making music, such as performing, promotion, touring, recording, and how these are connected to, shaped by and shape...
This chapter presents an overview of Bill C. Malone\u27s southern thesis, as first articulated in ...
I begin this chapter by arguing against any sort of prescriptive definitions for Indigenous Australi...
Aboriginal-influenced compositions have been central to Australian art music practice since the 1960...
Markets and Margins: Australian Country Music Volume 3 is the third volume in this series of books t...
This article explores the performance practices of Australian country music artist Beccy Cole, speci...
This thesis explores the Image of the South and Its culture that Is presented to the public through ...
Contemporary Australian country music is marked by a fascination with the past — both its own and th...
Long before Aboriginal creativity could be expressed freely across contemporary Australian culture, ...
Throughout the long 1970s, country music actively sought to cultivate a more traditional, “authent...
Theoretical thesis.Bibliography: pages 56-65.Introduction : music, emotion & memory in diaspora -- C...
What constitutes authenticity in country music? Artists' claims to "realness" might be based on the ...
Many Aboriginal Australians have participated in, and take pleasure from, country music. Country mus...
Over the last half century, as part of a wider struggle for recognition, respect, reconciliation and...
This article explores country music as an important means for Aboriginal men in Central Australia to...
227 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1984.The thesis is an interpretive...
This chapter presents an overview of Bill C. Malone\u27s southern thesis, as first articulated in ...
I begin this chapter by arguing against any sort of prescriptive definitions for Indigenous Australi...
Aboriginal-influenced compositions have been central to Australian art music practice since the 1960...
Markets and Margins: Australian Country Music Volume 3 is the third volume in this series of books t...
This article explores the performance practices of Australian country music artist Beccy Cole, speci...
This thesis explores the Image of the South and Its culture that Is presented to the public through ...
Contemporary Australian country music is marked by a fascination with the past — both its own and th...
Long before Aboriginal creativity could be expressed freely across contemporary Australian culture, ...
Throughout the long 1970s, country music actively sought to cultivate a more traditional, “authent...
Theoretical thesis.Bibliography: pages 56-65.Introduction : music, emotion & memory in diaspora -- C...
What constitutes authenticity in country music? Artists' claims to "realness" might be based on the ...
Many Aboriginal Australians have participated in, and take pleasure from, country music. Country mus...
Over the last half century, as part of a wider struggle for recognition, respect, reconciliation and...
This article explores country music as an important means for Aboriginal men in Central Australia to...
227 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1984.The thesis is an interpretive...
This chapter presents an overview of Bill C. Malone\u27s southern thesis, as first articulated in ...
I begin this chapter by arguing against any sort of prescriptive definitions for Indigenous Australi...
Aboriginal-influenced compositions have been central to Australian art music practice since the 1960...