Add to ORKGThis thesis discusses sound design in performance from a practitioners point of view. The thesis is in two parts, of which the first presents a context in the form of a essay discussing different aspects of (mediated) sound in performance. The second part consists of an analysis of a mediated sound artifact, a practical tool in sound design: a cue-list (from the performance Ett Dromspel, Viirus 2013). The analysis of the cue-list relies on tools presented by Augoyard and Torgue in Sonic Experience
International audienceMutations in late 20th-century sound design have transformed it from an empiri...
The perceived auditory environment is an increasingly important part of peoples everyday interactive...
This thesis looks at the use of electronic amplification at concerts of music. A broad introduction,...
This thesis examines the practices and techniques involved with particular electronic instruments an...
As this is a short essay, I will get straight to the point. In doing so I expose that fact that I am...
There are a range of compositional approaches and techniques to consider when producing work of a so...
We depend on our collective senses in order to rationalize and negotiate space. Unfortunately, sound...
We present a new framework to study the interaction between musicians, technology and various capabi...
This doctoral dissertation explores classical music performance from a curatorial perspective, refle...
This thesis will be an analysis of some of my approaches to rendering musical personality to structu...
This theoretical thesis discusses the sound design of dramatic theatre performances in comparison wi...
Sound Design Theory and Practice is a comprehensive and accessible guide to the concepts which under...
This thesis deals with the constitution of a practice that is characterized as a performative demons...
In this keynote Thor Magnusson will discuss work in composition, performance and the development of ...
Many live performance practitioners have explored the development of live gestural controllers in th...
International audienceMutations in late 20th-century sound design have transformed it from an empiri...
The perceived auditory environment is an increasingly important part of peoples everyday interactive...
This thesis looks at the use of electronic amplification at concerts of music. A broad introduction,...
This thesis examines the practices and techniques involved with particular electronic instruments an...
As this is a short essay, I will get straight to the point. In doing so I expose that fact that I am...
There are a range of compositional approaches and techniques to consider when producing work of a so...
We depend on our collective senses in order to rationalize and negotiate space. Unfortunately, sound...
We present a new framework to study the interaction between musicians, technology and various capabi...
This doctoral dissertation explores classical music performance from a curatorial perspective, refle...
This thesis will be an analysis of some of my approaches to rendering musical personality to structu...
This theoretical thesis discusses the sound design of dramatic theatre performances in comparison wi...
Sound Design Theory and Practice is a comprehensive and accessible guide to the concepts which under...
This thesis deals with the constitution of a practice that is characterized as a performative demons...
In this keynote Thor Magnusson will discuss work in composition, performance and the development of ...
Many live performance practitioners have explored the development of live gestural controllers in th...
International audienceMutations in late 20th-century sound design have transformed it from an empiri...
The perceived auditory environment is an increasingly important part of peoples everyday interactive...
This thesis looks at the use of electronic amplification at concerts of music. A broad introduction,...