Japanese women's popular musicals: The Takarazuka Revue

Book synopsis: Provides a wide ranging and highly accessible analysis of some of the biggest names within musical theatre production over the course of the genre's eventful history Offers an exciting international and globalised perspective, highlighting commercial and non-commercial musical theatre ventures worldwide Presents the first collection dedicated to the analysis of the work of the oft-misrepresented and undervalued role of the musical theatre producer