A 'round robin conversation about the canonisation of contemporary and new media art with participation of artists, curators and producers including Mark Daniels (New Media Scotland), Charlotte Frost (City University Hong Kong), Axel Lapp (MEWO Kunsthalle) and Addie Wagenknecht (artist, Bitforms Gallery). The publication considers the history of art in relation to contemporary practices and includes chapters about video art, street art, performance art and new media art, alongside chapters concerned with the commodification of art, the art market, the museum, feminist practices, and chapters on specific artists works such as Ai Weiwei, Jean Michel Basquiat and El Anatsui. Contributors include Felix Vogel, Martha Buskirk, Helena Reckitt, and...
The anthology addresses works of art that are constituted by practical participation of their viewer...
The paper explains two curatorial concepts that propose viable strategies for exhibiting new media a...
What is the role of the curator when organizing digital art exhibitions in offline and online spaces...
A 'round robin conversation about the canonisation of contemporary and new media art with participat...
The book addresses the challenges of preserving and exhibiting media art drawings on theory and inst...
This book of interviews tracks the work of artists in the field of new media art in order to conside...
This book of interviews tracks the work of curators in the field of new media art in order to consid...
Wiley Blackwell Companions to Art History are reference volumes that chart the influence of key idea...
Digital technology has revolutionized the way we produce and experience art today. Not only have tra...
This work creates a unique view into the world of new media. It focuses primarily on artists of thei...
As curator Steve Dietz has observed, new media art is like contemporary art—but different. New media...
This thesis contributes to an understanding of contemporary curatorial practice and theory through a...
A book on curating art after new media co-authored by Beryl Graham and Sarah Cook of CRUMB, publishe...
This feature section explores the canonisation of modern art and, particularly, the decisive role ex...
Using resources gathered for the CRUMB website (http://www.newmedia.sunderland.ac.uk/crumb/), this p...
The anthology addresses works of art that are constituted by practical participation of their viewer...
The paper explains two curatorial concepts that propose viable strategies for exhibiting new media a...
What is the role of the curator when organizing digital art exhibitions in offline and online spaces...
A 'round robin conversation about the canonisation of contemporary and new media art with participat...
The book addresses the challenges of preserving and exhibiting media art drawings on theory and inst...
This book of interviews tracks the work of artists in the field of new media art in order to conside...
This book of interviews tracks the work of curators in the field of new media art in order to consid...
Wiley Blackwell Companions to Art History are reference volumes that chart the influence of key idea...
Digital technology has revolutionized the way we produce and experience art today. Not only have tra...
This work creates a unique view into the world of new media. It focuses primarily on artists of thei...
As curator Steve Dietz has observed, new media art is like contemporary art—but different. New media...
This thesis contributes to an understanding of contemporary curatorial practice and theory through a...
A book on curating art after new media co-authored by Beryl Graham and Sarah Cook of CRUMB, publishe...
This feature section explores the canonisation of modern art and, particularly, the decisive role ex...
Using resources gathered for the CRUMB website (http://www.newmedia.sunderland.ac.uk/crumb/), this p...
The anthology addresses works of art that are constituted by practical participation of their viewer...
The paper explains two curatorial concepts that propose viable strategies for exhibiting new media a...
What is the role of the curator when organizing digital art exhibitions in offline and online spaces...