“Under the intensity of creative experimentation (the situation and challenge of artists’ practice) each work asks itself (and therefore us, too) whether there might be a ‘place’ where culture has not yet reached; it hopes to be that ‘place’ – an elsewhere that is not yet a ‘place’ on culture’s terms” If Institutional interests operate such an enclosing grip on the representation of cultural production is the prospect of a ‘place for art’ simply a utopian pipe dream? Drawing on our own practices as artists and academics where we attempt to both subvert and use the rhetoric and structure of institutional knowledge production, either by creating mock Institutes and Departments or working with processes of ruination and institutional col...
Participatory Art Installation: The place of, and spaces for, art therapy are radically shifting ...
STUDIO CONDITIONS is a site-driven art project that explores how institutional structures and subjec...
This essay, informed by the author’s prolonged experimentation with the triangulation of art, politi...
Presentation using visual material. “Under the intensity of creative experimentation (the situatio...
“Under the intensity of creative experimentation (the situation and challenge of artists’ practice) ...
I aim to discuss a recent rise in the number of artists and artists groups who are setting themselve...
I aim to discuss a recent rise in the number of artists and artists groups who are setting themselve...
I will attempt to articulate a particular potentiality which may be located in the dynamic and fluid...
Contemporary theories of institutions as clusters of stable solutions to recurrent coordination prob...
By exploring the territory between being within the zone of art practice and the zone of art educati...
Contemporary theories of institutions as clusters of stable solutions to recurrent coordination prob...
The collaborative work of Steve Dutton and Steve Swindells (Dutton and Swindells) can be seen in the...
Today’s networked society offers us many wondrous possibilities of information, communication, mobil...
Today’s networked society offers us many wondrous possibilities of information, communication, mobil...
Institutional critique is one of the key phenomena in the art of the second half of the 20th century...
Participatory Art Installation: The place of, and spaces for, art therapy are radically shifting ...
STUDIO CONDITIONS is a site-driven art project that explores how institutional structures and subjec...
This essay, informed by the author’s prolonged experimentation with the triangulation of art, politi...
Presentation using visual material. “Under the intensity of creative experimentation (the situatio...
“Under the intensity of creative experimentation (the situation and challenge of artists’ practice) ...
I aim to discuss a recent rise in the number of artists and artists groups who are setting themselve...
I aim to discuss a recent rise in the number of artists and artists groups who are setting themselve...
I will attempt to articulate a particular potentiality which may be located in the dynamic and fluid...
Contemporary theories of institutions as clusters of stable solutions to recurrent coordination prob...
By exploring the territory between being within the zone of art practice and the zone of art educati...
Contemporary theories of institutions as clusters of stable solutions to recurrent coordination prob...
The collaborative work of Steve Dutton and Steve Swindells (Dutton and Swindells) can be seen in the...
Today’s networked society offers us many wondrous possibilities of information, communication, mobil...
Today’s networked society offers us many wondrous possibilities of information, communication, mobil...
Institutional critique is one of the key phenomena in the art of the second half of the 20th century...
Participatory Art Installation: The place of, and spaces for, art therapy are radically shifting ...
STUDIO CONDITIONS is a site-driven art project that explores how institutional structures and subjec...
This essay, informed by the author’s prolonged experimentation with the triangulation of art, politi...