Frida Kahlo, escrituras plurales

This paper analyzes the written work by Frida Kahlo, in order to deduce her poetry’s features and manifestations. By reading her prose, poems, letters, corridos, and mainly her Diario, allowed us to outline the elements of a personal language, build on cultured as well as on popular loanwords, with mixed anglicisms and Spanish words, sinesthesia, invented words, understatements, diminutives, prayers, parallelisms, superpositions, associations, crossroads between reality and fiction, the ancient and the new, as well as between the indigenous and the western. Finally, as a result of the analysis the painter’s written was defined as an awareness of the body, and bordering between the word and the color at the same time.Se analizó la obra escrita de la artista Frida Kahlo, a fin de establecer las características y manifestaciones de su poética. La lectura de sus prosas, poemas, cartas, corridos y sobre todo su Diario permitió esbozar los elementos de un lenguaje personal, construido con base en préstamos cultos y populares, mezcla de anglicismos y expresiones castellanas, sinestesia, invención de vocablos, uso de litotes, diminutivos, anáforas, paralelismos, superposiciones, asociaciones, cruces entre la realidad y lo imaginario, lo antiguo y lo moderno, así como entre lo indígena y lo occidental. Finalmente, se estableció la escritura de la pintora como conciencia del cuerpo, a la vez que experiencia limítrofe entre el color y la palabra