International audienceMy research is based on the code that exists in computer music works. I suggest that the code can be helpful for musical analysis. Having seen the main difficulties while studying this code, I am introducing a tool that provides a representation of the code during the work By representing the elements of the code that produce the music, I suggest a new way to apprehend works of computer music
This is an archive of a software I made in 2014 during my PhD, named ShowProcess. The goal of the so...
Panel at ICMC2018. Participants: Myriam Akkerman (Bayreuth), Kevin Dahan (DMU; chair), Serge Lemou...
International audienceAnalysing sound-based music needs specific methods and tools. Methods come fro...
International audienceMy research is based on the code that exists in computer music works. I sugges...
International audienceMy research is based on the code that exists in computer music works. I sugges...
International audienceIn the electroacoustic community, it is well known that one specificity of thi...
International audienceIn the electroacoustic community, it is well known that one specificity of thi...
International audienceIn the electroacoustic community, it is well known that one specificity of thi...
At the end of the 20th century Jean-Claude Risset highlighted a novel aspect of computer music compo...
International audienceThis article focuses on the analysis of computer music, that is, music which u...
International audienceThis article focuses on the analysis of computer music, that is, music which u...
EarSketch is an online environment for learning introductory computing concepts through code-driven,...
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
We present a reproducible music information retrieval (MIR) study on 133 performances from the 10th ...
Computer music is that in which computers mediate some or all part(s) of the creative process. Compu...
This is an archive of a software I made in 2014 during my PhD, named ShowProcess. The goal of the so...
Panel at ICMC2018. Participants: Myriam Akkerman (Bayreuth), Kevin Dahan (DMU; chair), Serge Lemou...
International audienceAnalysing sound-based music needs specific methods and tools. Methods come fro...
International audienceMy research is based on the code that exists in computer music works. I sugges...
International audienceMy research is based on the code that exists in computer music works. I sugges...
International audienceIn the electroacoustic community, it is well known that one specificity of thi...
International audienceIn the electroacoustic community, it is well known that one specificity of thi...
International audienceIn the electroacoustic community, it is well known that one specificity of thi...
At the end of the 20th century Jean-Claude Risset highlighted a novel aspect of computer music compo...
International audienceThis article focuses on the analysis of computer music, that is, music which u...
International audienceThis article focuses on the analysis of computer music, that is, music which u...
EarSketch is an online environment for learning introductory computing concepts through code-driven,...
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
We present a reproducible music information retrieval (MIR) study on 133 performances from the 10th ...
Computer music is that in which computers mediate some or all part(s) of the creative process. Compu...
This is an archive of a software I made in 2014 during my PhD, named ShowProcess. The goal of the so...
Panel at ICMC2018. Participants: Myriam Akkerman (Bayreuth), Kevin Dahan (DMU; chair), Serge Lemou...
International audienceAnalysing sound-based music needs specific methods and tools. Methods come fro...