My contribution is part of a new work in progress exploring the sense of touch in Italian Renaissance anatomy. Through regular experiences of surgery and dissections, anatomists/surgeons refined their sense of touch and developed a particularly acute ability to feel and act upon bodily parts and substances. By looking at the dissecting body—the hand, fingers, and skin of anatomists/surgeons—this paper will examine the body dissected—especially its bones, muscles, and surfaces—highlighting the multiple layers of the sense of touch in the Renaissance
Since the Renaissance, at least, the medium of sculpture has been associated explicitly with the sen...
This book uses the work of Bolognese physician and anatomist Gaspare Tagliacozzi to explore the soci...
This paper argues that the anatomical Cabinets of Dutch anatomist Frederik Ruysch must be understood...
In the last few decades, promising new approaches to the study of the senses and to the body have sh...
The aim of this paper is to examine the part played by the sense of touch in anatomical practices an...
peer reviewedThis article explores the epistemic value of touch in Italian Renaissance anatomy. Usin...
peer reviewedThis article uses Galen’s De complexionibus and its reception as a thread to examine th...
The practice of dissection is culturally marked by facts, gestures, and temporalities closely relate...
Muscle Man19th centuryPapier-mache anatomical model47 x 14 x 6.5 inches Anatomy and Art: Renaissance...
The body emblazoned is a compelling study of the culture of dissection in the English Renaissance wh...
The practice of dissection is culturally marked by facts, gestures, and temporalities closely relate...
For centuries, the human body was considered an inviolable treasure chest, as religious authorities ...
This paper argues that the anatomical Cabinets of Dutch anatomist Frederik Ruysch must be understood...
The paper explores the idea of a philosophy of the sense of touch, according to the phenomenological...
During the sixteenth century, many individuals became fascinated by the human form, which led to an ...
Since the Renaissance, at least, the medium of sculpture has been associated explicitly with the sen...
This book uses the work of Bolognese physician and anatomist Gaspare Tagliacozzi to explore the soci...
This paper argues that the anatomical Cabinets of Dutch anatomist Frederik Ruysch must be understood...
In the last few decades, promising new approaches to the study of the senses and to the body have sh...
The aim of this paper is to examine the part played by the sense of touch in anatomical practices an...
peer reviewedThis article explores the epistemic value of touch in Italian Renaissance anatomy. Usin...
peer reviewedThis article uses Galen’s De complexionibus and its reception as a thread to examine th...
The practice of dissection is culturally marked by facts, gestures, and temporalities closely relate...
Muscle Man19th centuryPapier-mache anatomical model47 x 14 x 6.5 inches Anatomy and Art: Renaissance...
The body emblazoned is a compelling study of the culture of dissection in the English Renaissance wh...
The practice of dissection is culturally marked by facts, gestures, and temporalities closely relate...
For centuries, the human body was considered an inviolable treasure chest, as religious authorities ...
This paper argues that the anatomical Cabinets of Dutch anatomist Frederik Ruysch must be understood...
The paper explores the idea of a philosophy of the sense of touch, according to the phenomenological...
During the sixteenth century, many individuals became fascinated by the human form, which led to an ...
Since the Renaissance, at least, the medium of sculpture has been associated explicitly with the sen...
This book uses the work of Bolognese physician and anatomist Gaspare Tagliacozzi to explore the soci...
This paper argues that the anatomical Cabinets of Dutch anatomist Frederik Ruysch must be understood...
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