Is the audio portion of your digital collection lacking? Do you feel that audio collections are archaic and creating an audio collection is both time consuming and expensive? This type of thinking is antiquated. You can skip transcription altogether and focus solely on indexing by using free software like OHMS (Oral History Metadata Synthesizer). During our presentation we will show you how to use this free software. If you want to transcribe yourself and save time you can use free software such as Express Scribe and use USB foot pedals to speed up the process. In addition to these options, accurate automated speech to text technology is on the way and costs about 5% the price of what standard transcribing services charge. At this price, au...
This article looks at the use of streaming audio technologies in Canadian academic libraries. The is...
What helps researchers listen in deep and engaged ways to sound recordings that are delivered on the...
Given the enormous backlog at audiovisual archives and the generally global level of item descriptio...
Is the audio portion of your digital collection lacking? Do you feel that audio collections are arch...
Co-presenter: Wendy SistrunkAs new tools and technologies continue to develop and as budgets decline...
Analog audio materials present unique preservation and access challenges for even the largest librar...
Analog audio materials present unique preservation and access challenges for even the largest librar...
Spoken-word audio collections cover many domains, including radio and television broadcasts, oral na...
Oral history collections pose unique challenges for archival institutions. Making these important hi...
This presentation focuses on practical strategies and use of open-source tools in order to establish...
With assistance from: Patricia Altamirano, Library Information Specialist II; Timothy Gieringer, Lib...
There has never been a better time to create audio content than the present. Not only do most person...
There are a growing number of Web sites that offer free e-audiobooks. Providing access to these e-au...
Spoken-word audio collections cover many domains, including radio and television broadcasts, oral na...
Presentation on transcribing and providing access to oral histories in CONTENTdm given at the Midwes...
This article looks at the use of streaming audio technologies in Canadian academic libraries. The is...
What helps researchers listen in deep and engaged ways to sound recordings that are delivered on the...
Given the enormous backlog at audiovisual archives and the generally global level of item descriptio...
Is the audio portion of your digital collection lacking? Do you feel that audio collections are arch...
Co-presenter: Wendy SistrunkAs new tools and technologies continue to develop and as budgets decline...
Analog audio materials present unique preservation and access challenges for even the largest librar...
Analog audio materials present unique preservation and access challenges for even the largest librar...
Spoken-word audio collections cover many domains, including radio and television broadcasts, oral na...
Oral history collections pose unique challenges for archival institutions. Making these important hi...
This presentation focuses on practical strategies and use of open-source tools in order to establish...
With assistance from: Patricia Altamirano, Library Information Specialist II; Timothy Gieringer, Lib...
There has never been a better time to create audio content than the present. Not only do most person...
There are a growing number of Web sites that offer free e-audiobooks. Providing access to these e-au...
Spoken-word audio collections cover many domains, including radio and television broadcasts, oral na...
Presentation on transcribing and providing access to oral histories in CONTENTdm given at the Midwes...
This article looks at the use of streaming audio technologies in Canadian academic libraries. The is...
What helps researchers listen in deep and engaged ways to sound recordings that are delivered on the...
Given the enormous backlog at audiovisual archives and the generally global level of item descriptio...