For this project, the author uses Bakhtin\u27s theory of carnival to illuminate Zappa\u27s sound and rhetoric. The author hopes that by using this theoretical lens allows audiences to understand Zappa\u27s choices in subject matter. Those who can see his work as satire and understand the use of carnivalesque techniques in challenging authority see the genius in his work
Autoethnography, as one of its leading practitioners Carolyn Ellis notes, allows the researcher to e...
A comparative account of the musical and cultural acts of Zappa and his cohort, collaborator and ant...
Dealing with Bakhtinian dialogic theories, such as heteroglossia and carnival, the American series O...
20th-century North-American composer Frank Zappa became well known for his sharp satires to U.S. off...
This paper will present the use of parody in my piece I mballakkeri as deriving from Bakhtin’s writi...
The role that Mikhail Bakhtin’s book on Rabelais, and the carnival theme more generally, plays in Ba...
This thesis argues that American rock music and Mikhail Bakhtin’s theory of the carnivalesque and gr...
Concepts that were propounded by the Russian contemplator Mikhael Bakhtin based on his literature r...
Often taken in questionable way, usually within the meaning of simple hierarchical inversion, the th...
I propose to take the grotesque, both as a discursive genre and a cultural attitude and practice, as...
In the 1820s, Carnival in Cologne, Germany, underwent a series of reforms, ostensibly to bring the f...
What can 15th century France and heavy metal have in common? In Heavy Metal Humor, Gary Powell explo...
Lemony Snicket is the author of the series A Series of Unfortunate Events. As of 2004, the series ha...
In this article, I apply Mikhail Bakhtin’s concept of carnival to an analysis of George MacDonald’s ...
According to the theory of Mikhail Bakhtin, the carnival of the Middle Ages and Renaissance played a...
Autoethnography, as one of its leading practitioners Carolyn Ellis notes, allows the researcher to e...
A comparative account of the musical and cultural acts of Zappa and his cohort, collaborator and ant...
Dealing with Bakhtinian dialogic theories, such as heteroglossia and carnival, the American series O...
20th-century North-American composer Frank Zappa became well known for his sharp satires to U.S. off...
This paper will present the use of parody in my piece I mballakkeri as deriving from Bakhtin’s writi...
The role that Mikhail Bakhtin’s book on Rabelais, and the carnival theme more generally, plays in Ba...
This thesis argues that American rock music and Mikhail Bakhtin’s theory of the carnivalesque and gr...
Concepts that were propounded by the Russian contemplator Mikhael Bakhtin based on his literature r...
Often taken in questionable way, usually within the meaning of simple hierarchical inversion, the th...
I propose to take the grotesque, both as a discursive genre and a cultural attitude and practice, as...
In the 1820s, Carnival in Cologne, Germany, underwent a series of reforms, ostensibly to bring the f...
What can 15th century France and heavy metal have in common? In Heavy Metal Humor, Gary Powell explo...
Lemony Snicket is the author of the series A Series of Unfortunate Events. As of 2004, the series ha...
In this article, I apply Mikhail Bakhtin’s concept of carnival to an analysis of George MacDonald’s ...
According to the theory of Mikhail Bakhtin, the carnival of the Middle Ages and Renaissance played a...
Autoethnography, as one of its leading practitioners Carolyn Ellis notes, allows the researcher to e...
A comparative account of the musical and cultural acts of Zappa and his cohort, collaborator and ant...
Dealing with Bakhtinian dialogic theories, such as heteroglossia and carnival, the American series O...
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