This article presents a multi-analytical approach to investigating the drying, polymerisation and oxidative degradation of linseed oil, which had undergone various treatments known to be undertaken during the nineteenth century in preparation for painting. The oil was mechanically extracted from the same seed lot then processed by different methods: water washing, heat treatments, and the addition of driers, with and without heat. The oil was prepared in 1999 within the framework of the MOLART project. We compared thermogravimetric analysis (TG), which yields macromolecular information, with gas-chromatography mass-spectrometry (GC/MS) and direct exposure mass spectrometry (DE-MS), which provide molecular information. This comparison enable...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Background: In conservation of old paintings, knowing the composition of the paint binder is of grea...
This paper presents an analytical investigation of paint reconstructions prepared with linseed oil t...
This paper presents an analytical investigation of paint reconstructions prepared with linseed oil t...
The structure of the polymeric fraction in an oil painting is believed to be strongly connected to ...
Conservation scientists are frequently asked to identify the materials that are contained in micros...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
From the 19th Century, artists’ oil paints were increasingly produced on an industrial scale and inc...
From the 19th Century, artists’ oil paints were increasingly produced on an industrial scale and inc...
From the 19th Century, artists’ oil paints were increasingly produced on an industrial scale and inc...
From the 19th Century, artists’ oil paints were increasingly produced on an industrial scale and inc...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Background: In conservation of old paintings, knowing the composition of the paint binder is of grea...
This paper presents an analytical investigation of paint reconstructions prepared with linseed oil t...
This paper presents an analytical investigation of paint reconstructions prepared with linseed oil t...
The structure of the polymeric fraction in an oil painting is believed to be strongly connected to ...
Conservation scientists are frequently asked to identify the materials that are contained in micros...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
From the 19th Century, artists’ oil paints were increasingly produced on an industrial scale and inc...
From the 19th Century, artists’ oil paints were increasingly produced on an industrial scale and inc...
From the 19th Century, artists’ oil paints were increasingly produced on an industrial scale and inc...
From the 19th Century, artists’ oil paints were increasingly produced on an industrial scale and inc...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Background: In conservation of old paintings, knowing the composition of the paint binder is of grea...