Add to ORKGChris Marker’s video installation The Hollow Men, presented on a series of eight plasma screen monitors mounted in a row, captures a haunting vision of the death and destruction of World War I, an event that functions as a prelude to the dawn of a new era
Final Circular for the multimedia exhibition, "'Shadow-lands': The Suffering Image" (April 18-May 18...
Via Chris Marker & Alain Resnais' works vis-à-vis creative untimeliness (Nietzsche), Untimely Affect...
The article builds on and augments my previous work on Chris Marker’s representation of history in m...
Reports upon the exhibition entitled 'Location! Location! Location!'on show at Mississauga, Canada (...
This study firstly addresses three threads in Chris Marker’s work – theology, Marxism, and Surrealis...
This review covers the experience of visiting Ashes, a video installation by Steve McQueen, exhibite...
THE NECROPOLITAN LINE A solo exhibition commissioned for the Henry Moore Institute, Leeds, an int...
The space and scale of Inopportune, a site-specific installation at the Mass MoCA in North Adams, Ma...
While the 1962 French science fiction film La Jetée presents a straightforward narrative premise, it...
Includes bibliographical references (page 20)My work explores the human condition at the intersectio...
CHRIS MARKER'S 29 minute film, La Jetée, first appeared in 1962 in the era of the Cold War, an era w...
With the recent passing of the world\u27s "best-known unknown filmmaker," Chris Marker, it...
This thesis explores the poetics of editing in the films and multimedia works of Chris Marker. From...
The concept of ‘occupying’ in resistance movements is performative, embodied and affective. It invol...
In an era of superhero movies galore, Dunkirk reminds us again of real human fragility and fear. Po...
Final Circular for the multimedia exhibition, "'Shadow-lands': The Suffering Image" (April 18-May 18...
Via Chris Marker & Alain Resnais' works vis-à-vis creative untimeliness (Nietzsche), Untimely Affect...
The article builds on and augments my previous work on Chris Marker’s representation of history in m...
Reports upon the exhibition entitled 'Location! Location! Location!'on show at Mississauga, Canada (...
This study firstly addresses three threads in Chris Marker’s work – theology, Marxism, and Surrealis...
This review covers the experience of visiting Ashes, a video installation by Steve McQueen, exhibite...
THE NECROPOLITAN LINE A solo exhibition commissioned for the Henry Moore Institute, Leeds, an int...
The space and scale of Inopportune, a site-specific installation at the Mass MoCA in North Adams, Ma...
While the 1962 French science fiction film La Jetée presents a straightforward narrative premise, it...
Includes bibliographical references (page 20)My work explores the human condition at the intersectio...
CHRIS MARKER'S 29 minute film, La Jetée, first appeared in 1962 in the era of the Cold War, an era w...
With the recent passing of the world\u27s "best-known unknown filmmaker," Chris Marker, it...
This thesis explores the poetics of editing in the films and multimedia works of Chris Marker. From...
The concept of ‘occupying’ in resistance movements is performative, embodied and affective. It invol...
In an era of superhero movies galore, Dunkirk reminds us again of real human fragility and fear. Po...
Final Circular for the multimedia exhibition, "'Shadow-lands': The Suffering Image" (April 18-May 18...
Via Chris Marker & Alain Resnais' works vis-à-vis creative untimeliness (Nietzsche), Untimely Affect...
The article builds on and augments my previous work on Chris Marker’s representation of history in m...