This articles explores the relationship of literary invention and factual reality, fiction and history, considering how the two have been employed by Giancarlo De Cataldo (b. 1956) in his novel “Romanzo criminale” (2002) in order to create a more reliable explanation of events than the official one. In fact, as De Cataldo maintains, contrary to a notion of crime fiction as escapist, the Italian crime novel is regarded as the perfect means to challenge the complexities of reality
Il saggio affronta e ricostruisce le dinamiche di scrittura del lavoro di Giancarlo De Cataldo, "Rom...
Between 1966 and 1969 Giorgio Scerbanenco published four detective novels (Venere privata, Traditori...
Under British Eyes: The Complex Fortune of Italian Crime Fiction(Mirna Cicioni & Nicoletta Di Ci...
This articles explores the relationship of literary invention and factual reality, fiction and histo...
International audienceThe article analyses two novels that, through fiction, try to explore a crime ...
Using McHale’s notions of “epistemological” and “ontological” dominants, this article analyzes three...
This article analyzes two successful Italian novels set during the Ventennio and the Second World Wa...
none2The fiction of detective fiction is an alibi to conceal the actual impact of the other narrativ...
none1noA Counter-History of Crime Fiction takes a new look at the evolution of crime fiction, drawin...
In Italia il genere “giallo”, definibile anche “poliziesco”, “thriller”, e ultimamente “noir”, fra i...
Since the 1980s Italian crime fiction has enjoyed international mass popularity, and has drawn criti...
Crime in Literature addresses the issues of crime and crime control through the reading of several c...
none2The fiction of detective fiction is an alibi to conceal the actual impact of the other narrativ...
This article analyzes several crime stories set during Italian imperial history, in particular Andre...
This dissertation investigates a growing wave of crime fiction in Italy through the lens of an epist...
Il saggio affronta e ricostruisce le dinamiche di scrittura del lavoro di Giancarlo De Cataldo, "Rom...
Between 1966 and 1969 Giorgio Scerbanenco published four detective novels (Venere privata, Traditori...
Under British Eyes: The Complex Fortune of Italian Crime Fiction(Mirna Cicioni & Nicoletta Di Ci...
This articles explores the relationship of literary invention and factual reality, fiction and histo...
International audienceThe article analyses two novels that, through fiction, try to explore a crime ...
Using McHale’s notions of “epistemological” and “ontological” dominants, this article analyzes three...
This article analyzes two successful Italian novels set during the Ventennio and the Second World Wa...
none2The fiction of detective fiction is an alibi to conceal the actual impact of the other narrativ...
none1noA Counter-History of Crime Fiction takes a new look at the evolution of crime fiction, drawin...
In Italia il genere “giallo”, definibile anche “poliziesco”, “thriller”, e ultimamente “noir”, fra i...
Since the 1980s Italian crime fiction has enjoyed international mass popularity, and has drawn criti...
Crime in Literature addresses the issues of crime and crime control through the reading of several c...
none2The fiction of detective fiction is an alibi to conceal the actual impact of the other narrativ...
This article analyzes several crime stories set during Italian imperial history, in particular Andre...
This dissertation investigates a growing wave of crime fiction in Italy through the lens of an epist...
Il saggio affronta e ricostruisce le dinamiche di scrittura del lavoro di Giancarlo De Cataldo, "Rom...
Between 1966 and 1969 Giorgio Scerbanenco published four detective novels (Venere privata, Traditori...
Under British Eyes: The Complex Fortune of Italian Crime Fiction(Mirna Cicioni & Nicoletta Di Ci...