Ghosts play a very important role in Seneca's tragedies. They either appear on stage and deliver the prologue, or influence events from backstage. Sometimes they suddenly come to haunt living relatives as phantoms or hallucinations. Their influence on the actions of the dramatis personae is considerable and, in most cases, negative or even destructive. Thanks to the fact that Seneca chose to unleash his imagination rather than cling to the technical requirements of the ancient theatre, he could permit himself the luxury of filling his plays with supernatural beings who contribute to the atmosphere of metaphysical awe that makes Seneca's tragedies so unique and that has become their hallmark
The monograph deal with the topic of ghosts in universal literature from a polyhedral perspective, m...
Winner, Humanities, Best Overall Undergraduate PaperAccording to theorist Michel Foucault, Renaissan...
The theatre is the most superstitious of cultural contexts, imbued with folklore, tall tales and ‘wa...
Ghosts of almost all sorts appear in Shakespeare's plays including IH6, 2H6, H8, R3, JC, Hamlet, Ma...
Constat manes mortuorum in tragoediis antiquis saepe apparuisse. Poetis tragicis Graecis necessarii...
From a stoical perspective, the Senecan tragedies are the field on which man confronts his destiny i...
This dissertation analyzes Senecan drama through the malleable figure of the vates, which has the du...
This dissertation analyzes Senecan drama through the malleable figure of the vates, which has the du...
All good ghost stories strike us as immediately familiar. As Shakespeare’s heirs, we know the story ...
This thesis explores the theme of evil in Senecan tragedy through the prism of his Stoic principles,...
In Persians, Aeschylus introduces the first appearance of a ghost on the theatrical stage. Darius\u2...
Although the philological claim of reconstructing a classical \u2018model\u2019 for most Renaissance...
Many have debated the possible performance of Seneca\u27s plays. Theatre Historians have polarizing ...
The dead who are piled up in the literary worlds of Seneca’s Oedipus and Lucan’s Civil War are not v...
This thesis tackles the pervasiveness of aberration in Senecan tragedy. Aberration infects all aspec...
The monograph deal with the topic of ghosts in universal literature from a polyhedral perspective, m...
Winner, Humanities, Best Overall Undergraduate PaperAccording to theorist Michel Foucault, Renaissan...
The theatre is the most superstitious of cultural contexts, imbued with folklore, tall tales and ‘wa...
Ghosts of almost all sorts appear in Shakespeare's plays including IH6, 2H6, H8, R3, JC, Hamlet, Ma...
Constat manes mortuorum in tragoediis antiquis saepe apparuisse. Poetis tragicis Graecis necessarii...
From a stoical perspective, the Senecan tragedies are the field on which man confronts his destiny i...
This dissertation analyzes Senecan drama through the malleable figure of the vates, which has the du...
This dissertation analyzes Senecan drama through the malleable figure of the vates, which has the du...
All good ghost stories strike us as immediately familiar. As Shakespeare’s heirs, we know the story ...
This thesis explores the theme of evil in Senecan tragedy through the prism of his Stoic principles,...
In Persians, Aeschylus introduces the first appearance of a ghost on the theatrical stage. Darius\u2...
Although the philological claim of reconstructing a classical \u2018model\u2019 for most Renaissance...
Many have debated the possible performance of Seneca\u27s plays. Theatre Historians have polarizing ...
The dead who are piled up in the literary worlds of Seneca’s Oedipus and Lucan’s Civil War are not v...
This thesis tackles the pervasiveness of aberration in Senecan tragedy. Aberration infects all aspec...
The monograph deal with the topic of ghosts in universal literature from a polyhedral perspective, m...
Winner, Humanities, Best Overall Undergraduate PaperAccording to theorist Michel Foucault, Renaissan...
The theatre is the most superstitious of cultural contexts, imbued with folklore, tall tales and ‘wa...