Add to ORKGThe Lord of the Rings film trilogy transgresses the common movie. Through the medium of film, it replaces an average movie experience by expressing and cultivating fine arts such as music, writing, and conceptual art, to bring one of the most rich and influential stories of our time onto the screen
This is a pre-publication version of a chapter published by Manchester University Press. Manchester ...
The Lord of the Rings movie by Peter Jackson was an interesting genre for semiotic analysis. This br...
In this thesis researcher focus on discussing the fantasy genre formula in Peter Jackson’s The Lord ...
For something we often barely notice: film music is in fact highly persuasive and effective. It crea...
international Lord of the Rings project, around the meanings and implications for audiences of choos...
The middle third of the 20th century was a time of hyper-aggressive industry, invention, and progres...
In an increasingly global market, the Hollywood film industry is evolving rapidly. Once a stand-alon...
Following the release in 2001 of the first film of Peter Jackson's adapted trilogy of J.R.R. Tolkien...
Peter Jackson's epic trilogy, the biggest film event of the 21st century, turned the best-selling bo...
none1noWhile Peter Jackson's The Lord of the Rings (LOTR) trilogy has been the subject of an enormou...
Often referred to as “the Father of Modern Fantasy,” J.R.R. Tolkien wrote the Lord of the Rings tril...
Discusses the division of works meant to be whole into trilogies; primarily Tolkien’s lengthy novel,...
An investigation of how Tolkien’s interlacing narrative technique is translated in the recent film t...
One of the most impressive component of MiddleEarth in the original novel by J.R.R. Tolkien was deta...
This essay deals with the film trailers advertising the films in the Lord of the Rings cycle after J...
This is a pre-publication version of a chapter published by Manchester University Press. Manchester ...
The Lord of the Rings movie by Peter Jackson was an interesting genre for semiotic analysis. This br...
In this thesis researcher focus on discussing the fantasy genre formula in Peter Jackson’s The Lord ...
For something we often barely notice: film music is in fact highly persuasive and effective. It crea...
international Lord of the Rings project, around the meanings and implications for audiences of choos...
The middle third of the 20th century was a time of hyper-aggressive industry, invention, and progres...
In an increasingly global market, the Hollywood film industry is evolving rapidly. Once a stand-alon...
Following the release in 2001 of the first film of Peter Jackson's adapted trilogy of J.R.R. Tolkien...
Peter Jackson's epic trilogy, the biggest film event of the 21st century, turned the best-selling bo...
none1noWhile Peter Jackson's The Lord of the Rings (LOTR) trilogy has been the subject of an enormou...
Often referred to as “the Father of Modern Fantasy,” J.R.R. Tolkien wrote the Lord of the Rings tril...
Discusses the division of works meant to be whole into trilogies; primarily Tolkien’s lengthy novel,...
An investigation of how Tolkien’s interlacing narrative technique is translated in the recent film t...
One of the most impressive component of MiddleEarth in the original novel by J.R.R. Tolkien was deta...
This essay deals with the film trailers advertising the films in the Lord of the Rings cycle after J...
This is a pre-publication version of a chapter published by Manchester University Press. Manchester ...
The Lord of the Rings movie by Peter Jackson was an interesting genre for semiotic analysis. This br...
In this thesis researcher focus on discussing the fantasy genre formula in Peter Jackson’s The Lord ...